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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

Tuesday, 24 April 2018 Read more...

Sutra, Sadler’s Wells review – a masterpiece 10 years on

Wednesday, 28 March 2018 Read more...

Joan Jonas, Tate Modern review - work as elusive as it is beautiful

Wednesday, 21 March 2018 Read more...

Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

Friday, 16 March 2018 Read more...

Another Kind of Life, Barbican review - intense encounters with marginal lives

Friday, 02 March 2018 Read more...

Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

Friday, 16 February 2018 Read more...

Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

Monday, 29 January 2018 Read more...

Human Flow review - two hours of human misery

Tuesday, 05 December 2017 Read more...

Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

Sunday, 03 December 2017 Read more...

Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

Friday, 01 December 2017 Read more...

The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

Wednesday, 22 November 2017 Read more...

Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

Wednesday, 08 November 2017 Read more...

Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

Wednesday, 18 October 2017 Read more...

Basquiat: Boom for Real, Barbican review - the myth explored

Friday, 22 September 2017 Read more...

Rachel Whiteread, Tate Britain review – exceptional beauty

Wednesday, 13 September 2017 Read more...

Final Portrait review - utterly convincing portrayal of an artist at work

Monday, 14 August 2017 Read more...

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Kerry James Marshall: The Histories, Royal Academy review -...

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the...

First Person: Manchester Camerata's Head of Artistic Pl...

Over the past decade, Manchester Camerata has gained a reputation for continually innovating and redefining what an orchestra can do. But what...

The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Punch, Apollo Theatre review - powerful play about the stren...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the...

Cinderella/La Cenerentola, English National Opera review - t...

When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s Cinderella...

'The Art of Loving': Olivia Dean's vulnerable...

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Music Reissues Weekly: The Peanut Butter Conspiracy - The Mo...

“It's a Happening Thing,” January 1967’s debut single from...

Goldscheider, Brother Tree Sound, Kings Place review - music...

Last night’s concert at Kings Place was a programme of...