Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Uproar, Rafferty, Royal Welsh College, Cardiff review - colo...
There’s a lot to be said for the planning that clearly went into this concert by the Cardiff-based new music ensemble, Uproar....
Attacca Quartet, Kings Place review - bridging the centuries...
Memorably described by Gramophone magazine as the “new kids on the classical block…with lavish pocket money”, Apple’s London-based label...
Music Reissues Weekly: Norma Tanega - I Don't Think It...
After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma...
Manchester Collective, RNCM review - exploring new territory
Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed...
Henry Gee: The Decline and Fall of the Human Empire - Why Ou...
Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK...
All Happy Families review - unhappy in their own way
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence...
Album: The Loft - Everything Changes, Everything Stays The S...
“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of...
Black Bag review - lies, spies and unpleasant surprises
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...
Weather Girl, Soho Theatre review - the apocalypse as surrea...
Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...