Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
The Turn of the Screw, English National Opera review - James...
At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is...
London Film Festival 2024 - the Vatican, the Blitz, a trip t...
Conclave
Director Edward Berger won an...
The Last of the Sea Women review - a moving tale of feisty t...
“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60...
Trouble in Tahiti/A Quiet Place, Linbury Theatre review - to...
Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...
Album: Justin Adams & Mauro Durante - Sweet Release
Sweet Release opens up a landscape of redemption by riding the rails of a classic ...
First Person: Lindsey Ferrentino on the play that has led Ad...
I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on...
Timestalker review – she's lost control again
Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion...
Kanga, Manchester Collective, Singh, RNCM Manchester review...
Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...
theartsdesk Q&A: Alice Lowe on 'Timestalker' a...
Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length...