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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

Monday, 09 August 2021 Read more...

El Father Plays Himself review – a roller coaster ride of mixed emotions

Saturday, 07 August 2021 Read more...

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Monday, 28 June 2021 Read more...

Bank Job review - an inspirational look at finance

Wednesday, 09 June 2021 Read more...

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Friday, 28 May 2021 Read more...

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Saturday, 22 May 2021 Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Thursday, 20 May 2021 Read more...

The Human Voice review - an intense half-hour that pulls no punches

Wednesday, 19 May 2021 Read more...

Stray review - a delightful portrait of a dog named Zeytin

Saturday, 27 March 2021 Read more...

Sing Me a Song review - beautiful but devastatingly sad

Friday, 08 January 2021 Read more...

Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

Wednesday, 16 December 2020 Read more...

Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

Tuesday, 15 December 2020 Read more...

Zanele Muholi, Tate Modern review - photography as protest

Wednesday, 02 December 2020 Read more...

One Man and His Shoes review - beautifully crafted, fast-paced documentary

Saturday, 24 October 2020 Read more...

Sin, National Gallery review - great subject, modest show

Friday, 09 October 2020 Read more...

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Music Reissues Weekly: The Earlies - These Were The Earlies

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-...

Hamlet, National Theatre review - turning tragedy to comedy...

The National’s latest production of ...

France, LPO, Gardner, RFH review - the sound of other worlds

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...

Christopher Wheeldon has mined a new seam of narrative pieces for the...

Lee Miller, Tate Britain review - an extraordinary career th...

Tate Britain’s Lee Miller retrospective begins with...

Rohtko, Barbican review - postmodern meditation on fake and...

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually...

Lee, Park Theatre review - Lee Krasner looks back on her lif...

Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys...

Ariodante, Opéra Garnier, Paris review - a blast of Baroque...

The revival of Robert Carsen’s production of Handel’s Ariodante at the...