sat 18/01/2025

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Read more...

Push review – lifting the lid on the housing crisis

Read more...

Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

Read more...

Steve McQueen, Tate Modern review – films that stick in the mind

Read more...

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

Read more...

Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

Read more...

Imran Perretta, Chisenhale Gallery review - a deeply affecting film

Read more...

Eco-Visionaries, Royal Academy review - wakey, wakey!

Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Read more...

Great Women Artists review - the book we have been waiting for

Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Read more...

Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Sacconi Quartet and Festival Voices, Kings Place review - me...

What better way to start a season about the Earth than by looking back on it...

A Complete Unknown review - how does it feel?

Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played...

Love Life, Opera North review - Lerner and Weill's blas...

The past is a foreign country: they do things differently there. But in Love Life, Kurt Weill and Alan Jay Lerner’s...

Vermiglio review - a simple tale, simply but beautifully tol...

Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a...

Album: Kele - The Singing Winds Pt. 3

Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand...

Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...

Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...

Jenůfa, Royal Opera review - electrifying details undermined...

This was always going to be Jakub Hrůša’s night, his first at the...

German National Orchestra, Marshall, Cadogan Hall review - s...

This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...

Chris McCausland, Winchester Theatre Royal review - Strictly...

By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...