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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Marina Abramović, Royal Academy review - young performers stand in for the absent artist

Saturday, 23 September 2023 Read more...

A Life on the Farm review - a fabulous eccentric gets neatly packaged

Friday, 08 September 2023 Read more...

Baato review - Nepalese mountain folk await big changes with excitement and anxiety

Sunday, 30 July 2023 Read more...

Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

Tuesday, 11 July 2023 Read more...

Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

Thursday, 06 July 2023 Read more...

Hello, Bookstore review - a documentary with shelf life

Wednesday, 28 June 2023 Read more...

Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

Monday, 26 June 2023 Read more...

Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery review - hope is what we need, but inspiration is a rarity

Thursday, 22 June 2023 Read more...

Life is More Important than Art, Whitechapel Gallery review - themes of arrival, belonging and departure unite fascinating mixed show

Wednesday, 21 June 2023 Read more...

Capturing the Moment, Tate Modern review - the glorious power of painting

Thursday, 15 June 2023 Read more...

Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity

Thursday, 18 May 2023 Read more...

The Dam review - a remarkably haunting allegory

Sunday, 07 May 2023 Read more...

Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Thursday, 04 May 2023 Read more...

Berg review - a glorious visual meditation on the mountains of Slovenia

Friday, 28 April 2023 Read more...

Little Richard: I am Everything review - a riveting account of 'the brightest star in the universe'

Thursday, 27 April 2023 Read more...

Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

Wednesday, 26 April 2023 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...