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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Noah Davis, Barbican review - the ordinary made strangely compelling

Thursday, 20 February 2025 Read more...

Best of 2024: Visual Arts

Monday, 30 December 2024 Read more...

Nocturnes review - the sounds of the rainforest transport you a remote region of the Himalayas

Monday, 09 December 2024 Read more...

Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

Monday, 02 December 2024 Read more...

Snow Leopard review - clunky visual effects mar a director's swansong

Saturday, 23 November 2024 Read more...

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Saturday, 16 November 2024 Read more...

Vanessa Bell, MK Gallery review - diving into and out of abstraction

Tuesday, 22 October 2024 Read more...

The Last of the Sea Women review - a moving tale of feisty traditional divers

Saturday, 12 October 2024 Read more...

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Thursday, 10 October 2024 Read more...

Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Wednesday, 09 October 2024 Read more...

Monet and London, Courtauld Gallery review - utterly sublime smog

Friday, 04 October 2024 Read more...

Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Wednesday, 25 September 2024 Read more...

Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint

Saturday, 14 September 2024 Read more...

Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

Tuesday, 30 July 2024 Read more...

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

Monday, 29 July 2024 Read more...

The Echo review - a beautiful but confusing look at life in a Mexican village

Friday, 26 July 2024 Read more...

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Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...