wed 19/06/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Push review – lifting the lid on the housing crisis

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Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

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Steve McQueen, Tate Modern review – films that stick in the mind

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Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

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Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

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Imran Perretta, Chisenhale Gallery review - a deeply affecting film

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Eco-Visionaries, Royal Academy review - wakey, wakey!

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Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

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Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

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Great Women Artists review - the book we have been waiting for

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

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Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

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Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

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Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

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Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

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latest in today

The Taming of the Shrew, Shakespeare's Globe review - r...

A recent Crime Survey for England and Wales estimated that 2.1 million people in the UK had been victims of domestic abuse in the year ending...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sw...

Born in Cape Town in 1948, Gavin Jantjes grew up under ...

Freud's Last Session review - Freud and CS Lewis search...

How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS...

Album: Naomi Bedford & Paul Simmonds - Strange News Has...

Almost exactly five years ago, I was transported by Singing It All Back Home, the third album from Naomi Bedford and Paul Simmonds. I...

The Master Musicians of Joujouka, Morocco review - a healing...

A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so...

Blu-ray: The Small Back Room

Powell and Pressburger’s least remembered Forties film is shrouded in Blitz darkness, deepening in the warped flat where alcoholic weapons expert...

Presumed Innocent, Apple TV+ review - you read the book and...

Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared...

Ashton Celebrated, Royal Ballet review - peerless delights f...

Launching a four-year global project to proclaim the genius of...

Il Trittico, Welsh National Opera review - another triumph f...

It’s somehow typical of the Welsh National Opera I’ve known now for...