sat 14/09/2024

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Read more...

Berg review - a glorious visual meditation on the mountains of Slovenia

Read more...

Little Richard: I am Everything review - a riveting account of 'the brightest star in the universe'

Read more...

Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

Read more...

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Read more...

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Read more...

Antidote review - two films in one that lose sight of their message

Read more...

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

Read more...

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Read more...

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Read more...

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Read more...

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Read more...

Town of Strangers review - a whimsical foray into the meaning of home

Read more...

Best of 2022: Visual Arts

Read more...

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Read more...

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

Read more...

Pages

latest in today

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...

Lee review - shaky biopic of an iconic photographer

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a...

Our Country's Good, Lyric Hammersmith review - lively b...

The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s ...

Why Am I So Single?, Garrick Theatre review - superb songs i...

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories...