sat 27/07/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

El Father Plays Himself review – a roller coaster ride of mixed emotions

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The Most Beautiful Boy in the World review - a harrowing tale vividly told

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Afterness, Orford Ness review - a breath of fresh air, literally

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Bank Job review - an inspirational look at finance

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Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

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David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

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Eileen Agar, Whitechapel Gallery review - a free spirit to the end

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The Human Voice review - an intense half-hour that pulls no punches

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Stray review - a delightful portrait of a dog named Zeytin

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Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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One Man and His Shoes review - beautifully crafted, fast-paced documentary

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Sin, National Gallery review - great subject, modest show

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Bruce Nauman, Tate Modern review - the human condition writ large in neon

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Lady in the Lake, Apple TV+ review - a multi-layered Baltimo...

Laura Lippman’s source novel for Apple’s new drama became a New York Times bestseller when it was published in 2019, and director Alma Har’el’s...

Twisters review - satisfyingly cataclysmic storm-chaser saga

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the...

The Echo review - a beautiful but confusing look at life in...

El Eco (The Echo) is a small village in Mexico’s central...

Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative...

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...