Film Reviews
Flight Risk review - the sky's the limit for Michelle Dockery and Mark WahlbergSaturday, 25 January 2025
Director Mel Gibson probably made Flight Risk with Netflix’s “90-minute movies” slot in mind (in fact he overshot – it lasts 91 minutes). It hits the spot of “escapist no-brainer action flick” by being lean, sharply-focused and amusingly preposterous, and Gibson keeps the pace brisk enough that you don’t have time to dwell on the really daft bits. Read more... |
Presence review – Soderbergh’s haunted cameraSaturday, 25 January 2025
The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, pictured bottom), her favoured teenage son Tyler (Eddy Maday), cowed husband Chris (Chris Sullivan) and troubled daughter Chloe (Callina Liang, pictured below). Presence is a ghost story from the ghost’s point of view, piecing together who and why it’s haunting as it eavesdrops on the fractured family. Read more... |
The Brutalist review - we're building to somethingThursday, 23 January 2025
There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a grand house unwittingly nudges a candle into the path of a dangling curtain pull. The tassel ignites, unseen by gathering dinner guests. |
William Tell review - stirring action adventure with silly dialogueWednesday, 22 January 2025
Despite Rossini’s banger of an overture and a Looney Tunes cartoon starring Daffy Duck as William Tell, I’ll wager that few non-German-speakers can recite the precise details of the Swiss folk hero’s legend. Beyond, that is, describing him as a Robin Hood of the Alps whose crossbow arrow pierced the apple perched on his son’s head. However, in a stirring new action-adventure movie Tell turns out to be a surprising protagonist. Read more... |
A Complete Unknown review - how does it feel?Friday, 17 January 2025
Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played the role of Alias in Sam Peckinpah’s Pat Garrett and Billy the Kid, having first presented himself to the world under the alias of “Bob Dylan”. Read more... |
Vermiglio review - a simple tale, simply but beautifully toldFriday, 17 January 2025
Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a woman faking sex but the angelic breathing of three young sisters sharing a bed in the snowy Alto Adige. Read more... |
The Second Act review - absurdist meta comedy about stardomSunday, 12 January 2025
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry Léa Seydoux) just before the half-way mark. It's just another line from a script. Read more... |
Maria review - Pablo Larraín's haunting portrait of an opera legendFriday, 10 January 2025
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary soprano Maria Callas would have known exactly what he meant, and she herself said “an opera begins long before the curtain goes up and ends long after it has come down.” Read more... |
Babygirl review - would-be steamy drama that only flirts with transgressionThursday, 09 January 2025
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from Disclaimer on Apple TV to Anora and Queer at the cinema, much of it noisily explicit. The intimacy co-ordinators must be having a field day. Read more... |
It's Raining Men review - frothy French comedy avoids dating-app realityThursday, 09 January 2025
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (they have well-behaved daughters aged ten and 15), she bemoans this fact to a friend, though, she maintains, she has no intention of leaving him. Read more... |
A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of PolandWednesday, 08 January 2025
Jesse Eisenberg's first film as writer/director was 2022’s When You Finish Saving the World, which met with modest acclaim. But he’s taken a giant leap forward with the follow-up, A Real Pain, which has been hoovering up critical plaudits from festival showings and its American release. Read more... |
Nickel Boys review - a soulful experimentSaturday, 04 January 2025
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves await the unluckiest. It faithfully adapts Colson Whitehead’s Pulitzer-winning novel The Nickel Boys (2019), whose writing’s loving warmth made its horrors bearable, his hope for his characters outlasting their fates. Read more... |
Nosferatu review - Lily-Rose Depp stands out in uneven horror remakeTuesday, 24 December 2024
Robert Eggers' strength as a director is his ability to bring historical periods alive with gritty, tactile realism. He does this successfully because of his anthropological attention to props, costume and language, but also his willingness to treat the era’s belief system as concrete reality. There’s nothing glib or anachronistic about his films set among 17th century New England Puritans, 19th century fishermen or 11th century Icelandic vikings. Read more... |
Wallace & Gromit: Vengeance Most Fowl review - an old foe returnsWednesday, 18 December 2024
It’s difficult to believe that the last stop-motion Wallace and Gromit short graced our screens way back in 2008. Describing the pair’s new outing as a return to form is unnecessary: this duo never lost it in the first place. Read more... |
Bogart: Life Comes in Flashes review - a Hollywood legend, warts and allSaturday, 14 December 2024
It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here is framed around the women in Bogart’s life, starting with his aloof, undemonstrative mother, Maud. Read more... |
Sujo review - cartels through another lensSaturday, 14 December 2024
It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually live amid Mexican drug cartels. In Sujo, Mexico’s bid for the next foreign feature Oscar, we experience violence the way many who inhabit violent places actually experience it – mostly embedded in the fabric of life, only occasionally directly. Read more... |
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