Film Reviews
Is There Anybody Out There? review - autobiographical documentary on disabilitySaturday, 18 November 2023
Ella Glendining has made an impressive documentary debut with the autobiographical essay, Is There Anybody Out There? Born without hip joints and very short thigh bones, we first encounter her as a perky, confident little girl walking in the woods near her home, in video footage filmed by her parents. They were aware from the first pregnancy scan that she was different and have done an exemplary job of ensuring that she had as happy a childhood as possible. Read more... |
Saltburn review - an uneven gothic rompFriday, 17 November 2023
This seems to be a season for films majoring on bisexuality, with the awards round encompassing Ira Sachs’s Passages, Bradley Cooper’s Maestro and Emerald Fennell’s Saltburn, a story of high-class high jinks in a modern twist on Evelyn’s Waugh’s Brideshead Revisited. Read more... |
Tish review - haunting portrait of a driven working-class photographerFriday, 17 November 2023
Paul Sng’s documentary Tish is one of the best British films of 2023 – both a heartfelt tribute to the life and work of the late photographer Tish (born Patricia) Murtha and a timely reminder of the war waged on the nation’s industrial working-class by the Thatcher government and its successors. Murtha’s death in 2013 was not unrelated to that war. Read more... |
Driving Madeleine review - a Paris taxi ride reveals a harrowing life storyFriday, 17 November 2023
Charles (French comedian Dany Boon), a jaded taxi driver in Paris, is stressed out. He owes money, the points on his license are mounting up, he barely has time to see his wife and daughter. When he gets a booking for a far-flung ride involving an old lady, he’s not enthusiastic even though the pay’s good. All joie de vivre has left him. Read more... |
Peter Doherty: Stranger In My Own Skin review – close-up on chaosSaturday, 11 November 2023
Pete Doherty’s notorious tabloid image as Kate Moss’s junkie rock star boyfriend blessedly faded following that relationship’s end, stopping short of Amy Winehouse territory. Katia deVidas’s documentary focuses on that addiction through his preferred self-image as a latter-day Rimbaud, a punk poet more suited to his current French home. The result is remarkably unvarnished, but narrowly framed. Read more... |
Anatomy of a Fall review - gripping psychological thriller set in the French AlpsFriday, 10 November 2023
There’s a splinter of ice in the heart of a writer, said Graham Greene, and that ice plays a part in French director Justine Triet’s superb fourth feature, which won the Palme d’Or at Cannes. Read more... |
A Forgotten Man review - Switzerland's WW2 record haunts monochrome dramaFriday, 10 November 2023
Switzerland isn’t exactly famous for parading its history during WWII. Remaining neutral from the conflict like its neighbour Liechtenstein, the Swiss benefitted from financial and armament deals with Nazi Germany, turned away Jewish refugees at the border and, post-war, failed to inform the remaining families of Holocaust victims about the deposits left by dead relatives in Swiss banks. Read more... |
Rustin review - a doubly liberated American lifeSunday, 05 November 2023
This is a tribute to a forgotten hero, gay black Quaker Bayard Rustin (Colman Domingo), driving force behind the 1963 March on Washington, the vast peaceful protest that sanctified Martin Luther King as his oratory seemed to lift black America towards a Promised Land. Read more... |
On the Adamant review - moving French documentary focusing on mental healthSaturday, 04 November 2023
On the Adamant is an endearing documentary by the French director Nicolas Philibert, best known here for his 2003 film, Être et Avoir, a portrait of a single-room school in the Auvergne. Read more... |
Dance First - the travails of Samuel BeckettSaturday, 04 November 2023
Dance First takes its title from a line in Samuel Beckett’s most famous work Waiting for Godot. “Perhaps he could dance first and think afterwards,” says the tramp Estragon of Pozzo’s slave Lucky, who then proceeds to do both in a typically absurd Beckettian way. Read more... |
How to Have Sex review - compelling journey of a vulnerable teenFriday, 03 November 2023
Molly Manning Walker surprised herself by winning the Un Certain Regard section at Cannes this year with her rites-of-passage feature, How to Have Sex. Why the surprise? It’s a compelling debut. Read more... |
The Royal Hotel review - sexual malice in AustraliaThursday, 02 November 2023
The jitters-inducing first feature directed on home soil by the Australian filmmaker Kitty Green is named after The Royal Hotel, the only pub in an Outback mining community removed from civilised society. To suggest all the blokes who drink there are potential rapists would be wrong: only 95 per cent of them are. Read more... |
Beyond Utopia review - harrowing escape stories vividly captured with live footageTuesday, 31 October 2023
If Madeleine Gavin’s Beyond Utopia doesn’t make you cry, you’re a hard nut to crack. The film records the fortunes of defectors fleeing North Korea, a hell hole that is more like a prison camp than a country. Read more... |
Typist Artist Pirate King review - shine on, Audrey AmissFriday, 27 October 2023
The stories told by writer-director Carol Morley are poignant reclamation projects that demonstrate empathy for lost or troubled souls but don’t flinch from difficult truths. Read more... |
20,000 Species of Bees review - a marvel of a debutFriday, 27 October 2023
Are we all getting older, or are film award-winners getting younger? Sofía Otero won the Silver Bear for best lead performance at the Berlin Film Festival this year at the age of just nine. To achieve that, it surely needs to be one of the best moppet turns of all time – and I think it quite possibly is. She plays an eight-year-old boy who doesn’t answer to the name of Aitor even when he’s gone missing and dozens of searchers are yelling it out.
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The Killer review - David Fincher's latest cult movie?Thursday, 26 October 2023
Since its release in 1999 David Fincher’s Fight Club has become something of a cult movie with young men who recite lines from the script like mantras. "This is your life, and it’s ending one minute at a time". It seems likely his new film, The Killer, will inspire the same devotion with the same demographic. Read more... |
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