Film Reviews

Kneecap review - Irish Republican rappers for real

Saskia Baron Saturday, 24 August 2024

A few recent documentaries have challenged the definition of the genre through the cheerful and wholesale dramatic reconstruction of past events, key moments that weren’t captured by a camera at the time.

Widow Clicquot review - Haley Bennett stars as the First Lady of champagne

Adam Sweeting Friday, 23 August 2024

The book by Tilar Mazzeo on which Thomas Napper's film is based is subtitled “The Story of a Champagne Empire and the Woman Who Ruled it”, though one suspects that the life of Barbe-Nicole Ponsardin was a little less Mills & Boon-ish than the version seen here.

Cuckoo review - insane time in the Bavarian Alps

Justine Elias Thursday, 22 August 2024

Strange noises fill the crisp nighttime air in a small Alpine village: Avian shrieks and some wild beast a-rustling in the hedgerows – or are those the screams of a desperate woman?

Only the River Flows review - damp noir

Demetrios Matheou Friday, 16 August 2024

An old woman, inexplicably known as Granny Four, is murdered by a river on the outskirts of a Chinese rural town. A respected detective is put in charge of the investigation, with the weight of his department’s reputation on his shoulders. But this a murky, twisty case that opens and closes with such regularity that it begins to threaten the man’s sanity.

Alien: Romulus review - game over for the adults

Saskia Baron Friday, 16 August 2024

In space no one can hear you scream, but they usually can in a cinema. Wednesday night’s gala launch of Alien: Romulus was awash with the gussied-up cast and writer-director Fede Álvarez, alongside assorted Olympians and influencers walking the red carpet.

Hollywoodgate review - on tour with the Taliban

Adam Sweeting Thursday, 15 August 2024

Egyptian journalist Ibrahim Nash’at is either very brave or slightly unhinged. His debut full-length documentary is an account of a year he spent in Afghanistan with the Taliban, after they’d taken control of the country at the end of August 2021, following the catastrophically inept evacuation of US and NATO forces.

Trap review - how not to find a serial killer in a haystack

Justine Elias Monday, 12 August 2024

Don’t think too hard about the narrative absurdity of Trap, the new movie wriitten and directed by M Night Shyamalan. There’s a serial killer called The Butcher on the loose in Philadelphia and though the FBI doesn’t know their quarry’s name or what he looks like, they muster what looks like hundreds of agents, SWAT teams, and private security to bring him in.

The Instigators, Apple TV+ review - Matt Damon and Casey Affleck are back on the Beantown beat

Adam Sweeting Saturday, 10 August 2024

This heist-orientated black comedy could appeal to fans of the likes of Steven Soderbergh’s Ocean’s Eleven or the same director’s Out of Sight, without ever quite matching their zip and sparkle. But there are enough loud bangs and big bucks to provide an entertaining night in (presupposing there are suitable lubricants to hand), though you wouldn’t think so from some of the ferociously negative reviews it’s been receiving.

Borderlands review - the end of a universe?

James Saynor Saturday, 10 August 2024

So, it falls to me to review perhaps the least-anticipated film of the year. Borderlands is based on an admired video game, and there may be nothing more hostile than pissed-off video-gamers.

Sky Peals review - a parable of alienation in a motorway service station

Markie Robson-Scott Thursday, 08 August 2024

“I think my dad might have been an alien,” Adam (Faraz Ayub; Line of Duty; Screw) tells a self-help group he wanders into. What does that make him? He doesn’t feel at home anywhere – not with his family or, perhaps not surprisingly, at his job in a burger bar at Sky Peals motorway services.

I Saw the TV Glow - electrifying allegory of gender dysphoria

Graham Fuller Saturday, 27 July 2024

There comes a point in I Saw the TV Glow when the repressed high-schooler Owen (Justice Smith) smashes his television’s screen by trying to dive into the box itself, to cross the great divide between his numbed reality and the feminine supernatural fantasy-land of his favourite series.

Twisters review - satisfyingly cataclysmic storm-chaser saga

Adam Sweeting Friday, 26 July 2024

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the storm-chasers of Twisters as they drive their souped-up four-by-fours across the tornado-blitzed flatlands of Oklahoma. Their motto is “if you feel it, chase it!” which is pretty much all they do for the movie’s two-hour duration.

The Echo review - a beautiful but confusing look at life in a Mexican village

Sarah Kent Friday, 26 July 2024

El Eco (The Echo) is a small village in Mexico’s central highlands, about two hours drive from Mexico City. But it might as well be thousands of miles away since it feels cut off from the outside world, especially for the women and children eking out a living there.

About Dry Grasses review - warts and all portrait of an unhappy man

Helen Hawkins Thursday, 25 July 2024

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed by negative thinking. It also contains striking freeze-framed portraits of people and places that you want to pause and look at even longer than the editing allows, so beautiful are they.

In a Violent Nature review - inverted slasher is fascinating

Harry Thorfinn- Sunday, 21 July 2024

A group of young people rent a cabin in the woods. A masked killer lingers nearby. Surely you know how the rest unfolds. The slasher and its well-worn tropes have been parodied, satirised and subverted for as long as it has existed. In fact, we seem to prefer watching these deconstructions compared to the actual, pulpy thing. Scream is after all the most successful horror franchise in history.

Crossing review - a richly human journey of discovery

Tom Birchenough Saturday, 20 July 2024

Crossing is a remarkable step forward for Swedish-Georgian director Levan Akin. There are elements that build on his acclaimed 2019 Tbilisi drama And Then We Danced, but his new film is rich with a new complexity, as well as a redolent melancholy, a loose road-movie that speaks with considerable profundity of the overlapping worlds in which it is set.