Film Reviews
Woman of the Hour, Netflix review - gripping drama follows a true-life Seventies serial killerThursday, 17 October 2024
“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming in 1977, telling Rodney, a charming, award-winning photographer (Daniel Zovatto), about the boyfriend who walked out on her when she got pregnant. She cries, grateful for his attention, and he listens sympathetically. Suddenly, his expression changes and he attacks her, strangling her, then revives her, then attacks again. Read more... |
Endurance review - the greatest escape, AI-assistedWednesday, 16 October 2024
Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition, which set out in 1914 only to be marooned until August 1916, was a failure but a “glorious failure”, in the words of one crew member, the meteorologist Leonard Hussey. It is also perhaps the greatest survival story ever told. Read more... |
Salem’s Lot review - listless King remakeSunday, 13 October 2024
A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of their skins. Read more... |
London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmareSaturday, 12 October 2024
Conclave Read more... |
The Last of the Sea Women review - a moving tale of feisty traditional diversSaturday, 12 October 2024
“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60 miles south of the Korean peninsular. Read more... |
Timestalker review – she's lost control againFriday, 11 October 2024
Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion, and stalking’s gender bias, Alice Lowe’s second feature as director, writer, and star does not bill itself as a true story. Read more... |
Portraits of Dangerous Women review - quirky indie comedyThursday, 10 October 2024
“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though that venture is doomed to failure - defensively. “They’re what separate us from the monkeys and chaos.” Read more... |
Things Will Be Different review - lost in the pastSunday, 06 October 2024
Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent. Read more... |
Joker: Folie à Deux review - supervillainy laid lowFriday, 04 October 2024
“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing good business for Hollywood before and since.We root for them and we don’t root for them at the same time, which is perhaps why not everyone in Hollywood has agreed with the hotcake thing. |
The Battle for Lakipia review - why post-colonial Kenya is a land of uneaseFriday, 04 October 2024
The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is the conflicting claim to Kenyan land made by white ranch owners of English descent and the indigenous pastoralist people. Read more... |
The Old Man and the Land review - dark secrets of a farming familyThursday, 03 October 2024
The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does it because he’s always done it, and because he doesn’t trust his 42-year-old daughter, Laura, despite her farming skills, or his 40-year-old son, David, the farm’s heir but an alcoholic and drug user who is unsuited to the work, to take it over. Read more... |
Megalopolis review - magic from cinema's dawnMonday, 30 September 2024
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating bravado, including a wish to “escape into the ranks of the insane” rather than accept conventional thinking, as if at 85 he is not only Cesar but Kurtz, plunging chaotically upriver again, inviting career termination. Read more... |
The Teacher review - tense West Bank dramaSaturday, 28 September 2024
It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature by British-Palestinian director Farah Nabulsi, who also wrote the screenplay, is so thoroughly appalling that it sometimes overshadows the TV-style melodrama onscreen. Read more... |
The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recoveryFriday, 27 September 2024
In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a film based on her book that is a significant achievement in its own right. It’s also the promising debut of Saoirse Ronan and her husband actor Jack Lowden as producers. Read more... |
Notes from Sheepland review - her farm is her canvasFriday, 20 September 2024
Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she calls herself and, indeed, in a stylized self-portrait, she does seem to have the placid, watchful gaze of a ewe. Read more... |
The Substance review - Demi Moore as an ageing Hollywood celeb with body issuesFriday, 20 September 2024
If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you. Read more... |
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