sat 18/10/2025

Film Reviews

Witches review - beyond the broomstick, the cat, and the pointy hat

Justine Elias

From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical Wicked, spellcasting by supposedly wayward women has never been able to avoid persecution and misunderstanding.

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Wicked review - overly busy if beautifully sung cliffhanger

Matt Wolf

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later with the words, "to be continued" flashed up on the screen. Will filmgoers mourn that they have to wait an entire year to see the second part of this supercharged screen adaptation of the stage musical blockbuster that London and New York audiences can currently absorb in a single sitting?

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Snow Leopard review - clunky visual effects mar a director's swansong

Sarah Kent

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of allegory for the circumstances that preceded the 53-year-old director's death from a heart attack last year. In 2016, Tseden was hospitalised after being roughed up by police when trying to retrieve his luggage at Xining Caojiapu International Airport. A diabetic, he was unable to take his pills while being held by the police.

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Mediha review - a brutalised Yazidi teen comes of age with a camera

Saskia Baron

The plight of persecuted minority groups around the world seems to be growing worse. As one form of response, a non-fiction film like Mediha works to make vivid the individual stories of people who might otherwise be reduced to statistics from places that are scarcely on the west's radar.

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Soundtrack to a Coup d'Etat review - jazz-themed documentary on the 1960s Congo Crisis

Sebastian Scotney

The British writer and Africa specialist Michela Wrong recently wrote a whistle-stop summary of the upheavals that afflicted Congo in the early 1960s:

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Gladiator II review - can lightning strike twice?

Adam Sweeting

It has been nearly 25 years since Russell Crowe enjoyed his Oscar-winning finest hour as Maximus in Ridley Scott’s thunderous epic, Gladiator, and now Sir Ridley has brought us the next generation. Stepping up to the plate is Paul Mescal as Lucius (now known as Hanno), who finds himself an enslaved gladiator in Rome after an Imperial fleet has conquered his homeland of Numidia (Algeria, more or less).

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Sarah Kent

Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on a giant screen is a spinning globe, its seas twinkling like a million stars.

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Joy review - the birth pangs of in vitro fertilisation

Justine Elias

Marie Curie excepted, movies about female scientists remain scarce, not just because STEM careers and Nobel Prizes still favour men. Now comes the British-made Joy, which explores women’s contributions to a decades-long quest to cure infertility.

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Bird review - travails of an unseen English tween

Graham Fuller

There’s a jolt or a surprise in almost every shot in Andrea Arnold’s Bird – her most impacted and energised depiction of underclass life yet. Photographed by Robbie Ryan, it’s a visual tour de force, one of the most exhilarating British films of 2024, but the affecting story it tells is undermined by its fleeting embrace of magical realism and the climactic swoop of a deus ex machina.

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The Problem With People review - local zero

Hugh Barnes

A quarter of an hour into The Problem With People, there’s a 15-second clip of Bill Forsyth’s Local Hero – and it’s the best thing about this spectacularly unfunny comedy co-written by its American star, Paul Reiser (Mad About You, The Kominsky Method, Stranger Things).

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Anora review - life lesson for a kick-ass sex worker

Saskia Baron

Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean Baker has crafted a high-velocity drama in three acts with a star-making turn by its lead Mikey Madison in the title role. She prefers to be called Ani and makes her living in a lap-dancing club in Manhattan by night before sleeping away her days in a run-down house in Brooklyn, right next to the rattle of the elevated train. 

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Blitz review - racism persists as bombs batter London

Graham Fuller

Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was inflicted on East Londoners by Germany’s eight-month bombardment. The enemy in the movie is not airborne, however. Writer-director Steve McQueen made it to educate audiences about contemporaneous white racism in Britain – proof that not all the British pulled together during the time of total war.

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Small Things Like These review - less is more in stirring Irish drama

Demetrios Matheou

There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’s acclaimed novel, about one man’s stand against the evils of Ireland’s infamous Magdalene laundries. 

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The Room Next Door review - Almodóvar out of his comfort zone

Hugh Barnes

Towards the end of the last century, the Spanish director Pedro Almodóvar made a run of screwball comedies, starting with Women on the Verge of a Nervous Breakdown (1988) and Tie Me Up! Tie Me Down! (1989), and ending with All About My Mother (1999), that were full of life, language and the aberrant behaviour of strong female characters.

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London Film Festival 2024 - Nickel Boys, crime and punishment and Ukraine

Nick Hasted

RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves await the unluckiest. It faithfully adapts Colson Whitehead’s Pulitzer-winning novel The Nickel Boys, whose writing’s loving warmth made its horrors bearable, his hope for his characters outlasting their fates.

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London Film Festival 2024 - a shaman and sham

Nick Hasted

Justin Kurzel’s Australian film subjects are out on the malign edge, from Snowtown’s suburban serial killer and Nitram’s mass shooter to Ned Kelly.

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