wed 06/08/2025

Hugh Barnes

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Bio
Hugh Barnes is a war reporter and author of three books (Special Effects, Gannibal and Understanding Iran) and editor of green-socialist.com

Articles By Hugh Barnes

Natalia Ginzburg: The City and the House review - a dying art

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The Road to Patagonia review - journey to the end of the world

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Sudan, Remember Us review - the revolution will be memorised

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Words of War review - portrait of a doomed truth-seeker in Putin's Russia

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Two to One review - bank heist with a big catch

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Stelios review - Athenian rhapsody in blues

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The Problem With People review - local zero

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Alan Hollinghurst: Our Evenings review - a gift that keeps on giving

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The Room Next Door review - Almodóvar out of his comfort zone

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Endurance review - the greatest escape, AI-assisted

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Timestalker review – she's lost control again

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The Teacher review - tense West Bank drama

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The law's sick voyeurism - director Cédric Kahn on 'The Goldman Case'

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My Favourite Cake review - woman, love, and freedom

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Anna Reid: A Nasty Little War - The West's Fight to Reverse the Russian Revolution review - home truths

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Priscilla review - Bluebeard suede shoes

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latest in today

'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...