Film Reviews
Our River... Our Sky review - another people's warWednesday, 25 October 2023
The first casualty of war is not truth, as the saying goes, but humanity – and not just in the sense of collateral damage. Media reporting turns victims into news items, along with satellite images of wrecked buildings or tanks crawling through a desert. Read more... |
Killers of the Flower Moon review - the Osage tragedyFriday, 20 October 2023
At the centre of Martin Scorsese’s Killers of the Flower Moon, closely adapted from the 2017 non-fiction book by the investigative journalist David Grann, is the true story of how the white former doughboy Ernest Burkhart (Leonardo DiCaprii) was inveigled into slowly poisoning his Native American wife Mollie (Lily Gladstone) for her share of oil wealth in 1920s Oklahoma. Read more... |
Rock Hudson: All That Heaven Allowed review - the closeted life of a Hollywood greatFriday, 20 October 2023
Rock Hudson was built up as a silver screen archetype of heterosexual manhood, with his 6ft 5in frame and muscular physique, but his story has subsequently come to epitomise a Hollywood system built on illusions and delusions. Read more... |
Foe review - unsettling sci-fi dramaFriday, 20 October 2023
Garth Davis’s Foe is cast from that classic science fiction mould that uses a fantastical premise to explore the commonplace, yet profound aspects of our lives; in this case, the intricacies, dissatisfactions and anxieties of a marriage. At the same time, it offers the sort of unsettling mystery and killer twists that have made the similarly inclined Black Mirror such a success. Read more... |
The Pigeon Tunnel: Stories from the Life of John le Carré, Apple TV+ review - outstanding, intriguing portrait of David CornwellFriday, 20 October 2023
When the Oscar-winning documentary-maker Errol Morris sat David Cornwell down before his Interrotron camera in 2019, the first salvo of the chat came, not from the interviewer, but from his subject: “Who are you?” Read more... |
London Film Festival 2023 - mixed fortunes for film mastersThursday, 19 October 2023
The LFF's Best Film Award winner, Ryusuke Hamaguchi’s Drive My Car follow-up Evil Does Not Exist, is a characteristic mix of extended takes and conversations, limpid beauty and dizzyingly intense dramatic incident, and just one of the festival's major auteur UK premieres. Read more... |
London Film Festival 2023 - monsters, ghosts and diabolical peopleMonday, 16 October 2023
Poor Things, Yorgos Lanthimos’s follow-up to The Favourite, is an intoxicating achievement, a ravishing, twisted, very funny and even radical fable that must be a major contender in the awards season that gets into gear as the London Film Festival closes. Read more... |
London Film Festival 2023 - movies in a musical veinSaturday, 14 October 2023
The Rolling Stones are winning plaudits for their Hackney Diamonds album, but Alexis Bloom and Svetlana Zill’s documentary Catching Fire: The Story of Anita Pallenberg is a brilliant and sometimes painfully emotional portrait of the woman who helped inspire some of their finest work in their golden years, including “Gimme Shelter” and “You Can’t Always Get What You Want”. Pallenberg’s heroin habit prompted Marianne Faithfull to write “Sister Morphine”. Read more... |
Lies We Tell review - fear and gaslighting in 1860s IrelandSaturday, 14 October 2023
It is 1864 and the lush green lawns of Knowl, the stately home in Ireland that Maud Ruthyn (Agnes O’Casey) will inherit when she reaches the age of 21, are beautifully kept. Everything is in its place. Maud expects deference, especially from the domestic staff. Read more... |
The Miracle Club review - unchallenging but enjoyable Irish dramaFriday, 13 October 2023
If I had to condense the Catholic faith of my upbringing in one sentence, I would say that it essentially comes down to two things: we're all sinners, but we are all capable of redemption. (Theological experts may take a different view.) That boiled-down notion appears to be the takeaway of Thaddeus O'Sullivan's The Miracle Club, set in 1967 working-class Ballygar, just outside Dublin – the kind of place whose residents live there their entire life. Read more... |
Dalíland review - a tidy portrait of a chaotic artistThursday, 12 October 2023
The director Mary Harron is famous for staying classy while tackling blood-splashy topics – notably the attack on pop art’s leader in I Shot Andy Warhol (1996) and whatever the hell was going on in the Bret Easton Ellis novel that became Harron’s American Psycho (2000). Almost any male director would have gone Brian-De-Palma-berserk with the latter, but Harron’s film is more memorable for an OCD Christian Bale handing out his business cards than any ultra-violence. Read more... |
London Film Festival 2023 - a mixed bag of dramas and documentariesTuesday, 10 October 2023
The London Film Festival continues to pull in an eclectic selection of films from all over the world. And it’s from the countries not known for their movie industries that some of the most impressive and engaging films have emerged. Read more... |
London Film Festival 2023 - provocation, celebration and film-buzzing communitySaturday, 07 October 2023
When Kristy Matheson won the job of BFI London Film Festival director, she spoke of the chance afforded by festivals for filmmakers, artists and audiences “to commune on a grand scale – to experience ideas, ask big questions and celebrate together.” Read more... |
20 Days in Mariupol review - carnage in a dying Ukrainian cityFriday, 06 October 2023
Mstyslav Chernov’s 20 Days in Mariupol, which won the World Cinema Documentary Competition at Sundance this year, is an emotionally devastating account of the inhumanity of war. Read more... |
The Great Escaper review - Glenda Jackson takes her final bowFriday, 06 October 2023
This wasn’t a film to go and see with my 94-year-old father and hope I’d come out with my critical faculties intact and my handkerchief dry. The Great Escaper is an old fashioned, old school weepie about ageing, guilt and the horrors of war. Read more... |
BlackBerry review - the nerds versus The ManThursday, 05 October 2023
Nothing goes out of date like new technology. Who now remembers how plain old Alan Sugar brought word-processing to the masses with the Amstrad PCW 8256, or how the Psion 5 was for a moment the last word in personal organisers? Read more... |
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Jonathan Pie, Duke of York's Theatre review - spoof pol...
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Machinal, The Old Vic review - note-perfect pity and terror
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The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
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All You Need Is Death review - a future folk horror classic
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
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