Film Reviews
Vermiglio review - a simple tale, simply but beautifully toldFriday, 17 January 2025
Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a woman faking sex but the angelic breathing of three young sisters sharing a bed in the snowy Alto Adige. Read more... |
The Second Act review - absurdist meta comedy about stardomSunday, 12 January 2025
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry Léa Seydoux) just before the half-way mark. It's just another line from a script. Read more... |
Maria review - Pablo Larraín's haunting portrait of an opera legendFriday, 10 January 2025
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary soprano Maria Callas would have known exactly what he meant, and she herself said “an opera begins long before the curtain goes up and ends long after it has come down.” Read more... |
Babygirl review - would-be steamy drama that only flirts with transgressionThursday, 09 January 2025
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from Disclaimer on Apple TV to Anora and Queer at the cinema, much of it noisily explicit. The intimacy co-ordinators must be having a field day. Read more... |
It's Raining Men review - frothy French comedy avoids dating-app realityThursday, 09 January 2025
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (they have well-behaved daughters aged ten and 15), she bemoans this fact to a friend, though, she maintains, she has no intention of leaving him. Read more... |
A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of PolandWednesday, 08 January 2025
Jesse Eisenberg's first film as writer/director was 2022’s When You Finish Saving the World, which met with modest acclaim. But he’s taken a giant leap forward with the follow-up, A Real Pain, which has been hoovering up critical plaudits from festival showings and its American release. Read more... |
Nickel Boys review - a soulful experimentSaturday, 04 January 2025
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves await the unluckiest. It faithfully adapts Colson Whitehead’s Pulitzer-winning novel The Nickel Boys (2019), whose writing’s loving warmth made its horrors bearable, his hope for his characters outlasting their fates. Read more... |
Nosferatu review - Lily-Rose Depp stands out in uneven horror remakeTuesday, 24 December 2024
Robert Eggers' strength as a director is his ability to bring historical periods alive with gritty, tactile realism. He does this successfully because of his anthropological attention to props, costume and language, but also his willingness to treat the era’s belief system as concrete reality. There’s nothing glib or anachronistic about his films set among 17th century New England Puritans, 19th century fishermen or 11th century Icelandic vikings. Read more... |
Wallace & Gromit: Vengeance Most Fowl review - an old foe returnsWednesday, 18 December 2024
It’s difficult to believe that the last stop-motion Wallace and Gromit short graced our screens way back in 2008. Describing the pair’s new outing as a return to form is unnecessary: this duo never lost it in the first place. Read more... |
Bogart: Life Comes in Flashes review - a Hollywood legend, warts and allSaturday, 14 December 2024
It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here is framed around the women in Bogart’s life, starting with his aloof, undemonstrative mother, Maud. Read more... |
Sujo review - cartels through another lensSaturday, 14 December 2024
It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually live amid Mexican drug cartels. In Sujo, Mexico’s bid for the next foreign feature Oscar, we experience violence the way many who inhabit violent places actually experience it – mostly embedded in the fabric of life, only occasionally directly. Read more... |
Queer review - Daniel Craig meets William BurroughsFriday, 13 December 2024
Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary trousers, very much like a man running as fast as possible in the opposite direction to James Bond. He has goodbye-Bond-esque quotes to go with it. Read more... |
The Lord of the Rings: The War of the Rohirrim review - a middling return to Middle-earthThursday, 12 December 2024
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough to be the first choice for a Halloween costume, for grown-ups not quite literary enough to be literary. |
The Commander review - the good ItalianTuesday, 10 December 2024
Patriotic Italian films set during the Fascist war effort are understandably rare UK releases. Submarine commander Salvatore Todaro (Pierfrancesco Favino) was, though, an honourable warrior-poet who director Edoardo De Angelis seeks to separate from wider currents. Read more... |
Nocturnes review - the sounds of the rainforest transport you a remote region of the HimalayasMonday, 09 December 2024
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often filled with moths of every shape, size, colour and pattern while the sound of flapping, fluttering and girating wings fills the air to the point where you feel bombarded by the flying, furry creatures. Read more... |
Merchant Ivory review - fascinating documentary about the director and producer's long partnershipSaturday, 07 December 2024
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to bring urgency to the proceedings. The received wisdom was that Ismael thought Jim was going to bankrupt Merchant Ivory Productions commercially by insisting on perfection, while Jim was sure that Ismael would bankrupt it artistically by insisting on every possible economy. Read more... |
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