Film Reviews
Godzilla x Kong: The New Empire review - a bit of a monster let-downSaturday, 30 March 2024
The latest blockbuster of 2024 is this disappointing fifth entry in the so-called MonsterVerse franchise, owned by Legendary Pictures. About half of the film contain actors, while half of it is computer-generated – the likely brief future of cinema before AI takes over completely. In the battle for credibility between monsters and actors, the actors here come off decidedly worse. Read more... |
The Origin of Evil review - Laure Calamy stars in gripping French psychodramaThursday, 28 March 2024
A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her father, who she’s tracked down and has never met. Her voice trembles, she can barely speak, she has to hang up. But finally she manages it. This is Stéphane, she murmurs. May I speak to Serge? Read more... |
Late Night With the Devil review - indie-horror punches above its weightMonday, 25 March 2024
In Late Night With the Devil, light entertainment rubs shoulders with demonic forces on a talk show. It isn't quite the homerun its 97% Rotten Tomatoes rating would suggest, but this Australian indie production punches above its weight with an effective found-footage concept and lived-in 1970s setting. Regrettably, excitement for the movie's long-awaited cinema release has been dampened by controversy over its makers' use of AI-generated images. Read more... |
Ghostbusters: Frozen Empire review - a modest, well-meant returnSunday, 24 March 2024
Who you going to call? Five films into the Ghostbusters franchise, every persuadable survivor from the ’84 original, plus the ad hoc, Paul Rudd-led Spengler clan introduced in the series-reviving Ghostbusters: Afterlife (2021). The low-key, humane, borderline dull result bears little tonal relation to that bombastic founding film. Read more... |
Immaculate review - grisly convent horror is timely but flawedSaturday, 23 March 2024
Immaculate marks Sydney Sweeney’s complete takeover of the big screen. This year alone she has brought back the rom-com with Anyone But You, showed off her acting chops in whistle-blower drama Reality, and joined the Marvel universe with Madame Web. Immaculate is her headfirst dive into horror, and it’s a grisly convent story that aims for Rosemary’s Baby meets Suspiria, but sometimes feels like The Nun 2. Read more... |
Baltimore review - the story of Rose Dugdale and the IRA art heistFriday, 22 March 2024
“Poor fox,” says Rose Dugdale. She is standing beside her very rich mama and papa in the grounds of their stately home, her face blooded after the killing of her first fox. She knows this vicious upper-class ritual is wrong. It’s 1951 and she is 10. Hardcore challenges to the British establishment lie ahead. Read more... |
Robot Dreams review - short circuits of loveFriday, 22 March 2024
As everyone knows, the two most likeable creatures in the fictional world are the dog and the robot. Who doesn’t love a waggly tail or an aluminium cranium? So putting the two together in an animated movie looks like a Bennifer-perfect match. |
The Delinquents review - escape to the country, Buenos Aires styleThursday, 21 March 2024
This latest outing from Argentine director Rodrigo Moreno is a wry parable about escaping the urban rat-race and searching for the meaning of life, viewed through the prism of a pair of world-weary Buenos Aires bank workers. Morán (Daniel Elias) hits upon a scheme of robbing the bank, then giving himself up for what he calculates will be a three-and-a-half year jail term. Read more... |
The New Boy review - a mystical take on Australia's treatment of its First PeoplesSaturday, 16 March 2024
This is writer-director Warwick Thornton’s third feature film, his first since 2017's excellent Sweet Country, and it took him 18 years to bring it to the screen. He describes it as “a really special one” with “a lot to say”, though viewers may find themselves having to ponder long and hard to figure out The New Boy’s layers of meaning. Read more... |
Monster review - superbly elliptical tale of a troubled boyFriday, 15 March 2024
Monster is one of those films that you really shouldn’t read too much about before you see it, and if you are anything like me, you’ll want to watch it all over again when it ends. It’s an intricately told psychological drama that grips from the start; a fire breaks out in a high rise building in an unnamed Japanese town. Neighbours watch from their balconies and gossip about the hostess bar in the building. Read more... |
Drive-Away Dolls review - larky lesbian road movie with some iffy gear changesFriday, 15 March 2024
There’s a Coen brother directing, plus a cast that includes Matt Damon, Pedro Pascal, Oscar nominee Colman Domingo and Margaret Qualley, the standout hitchhiker in Once Upon a Time in Hollywood… so why does Drive-Away Dolls feel so insubstantial? Read more... |
Janey review - fitting punchline for a contentious comedianWednesday, 13 March 2024
The Glaswegian comedian Janey Godley, the woman who put the punch in punchline, has what she would call a “mooth” on her. It delivers pith and grit and lots of short words needing asterisks. Though possibly not for much longer, as she is in the throes of ovarian cancer. Read more... |
The Last Year of Darkness review - a loving portrait of a Chengdu gay barTuesday, 12 March 2024
Yihao is a disaffected 20 year old living in Chengdu, capital of Sichaun Province. A thriving centre for business and commerce, Chengdu looks like any other modern city. You could mistake it for downtown Chicago except that, apart from the Walmart logo, the signage is in Chinese. Read more... |
Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominatesMonday, 11 March 2024
Oppenheimer as expected dominated the 96th Academy Awards, winning seven trophies whilst runner-up Poor Things took four prizes, including Emma Stone in the hotly contested category of best actress. Read more... |
High & Low: John Galliano review - Kevin Macdonald charts the fashion designer's rise and fallFriday, 08 March 2024
“Fashion has a very short memory. Maybe that’s part of its charm,” says Robin Givhan of The Washington Post in Kevin Macdonald’s documentary. Whether anyone can forget John Galliano’s drunken anti-Semitic and racist outpourings at La Perle, his local café in the Marais in Paris in 2011, followed by his sacking by Dior, where he’d reigned as creative director for 14 years, is doubtful. Read more... |
Origin review - bursts of brilliance in an unwieldy frameFriday, 08 March 2024
Isabel Wilkerson’s book Caste: The Origins of Our Discontents, about the key role caste systems play in subjugating whole racial groups, was a runaway success in the US in 2020. Here, the Pultizer-Prize winning black journalist is not so well known. Ava DuVernay’s adaptation of her book aims to change that. Read more... |
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