sun 23/06/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hyped

Read more...

Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

Read more...

Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre

Read more...

Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

Read more...

Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominates

Read more...

Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice

Read more...

Wicked Little Letters review - sweary, starry film is mostly strange

Read more...

An Enemy of the People, Duke of York's Theatre - performative and predictable

Read more...

The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

Read more...

Dear Octopus, National Theatre - period rarity is a real pleasure

Read more...

Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy

Read more...

The Color Purple review - sensational second time round for Alice Walker's novel on screen

Read more...

Best of 2023: Theatre

Read more...

Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

Read more...

A Christmas Carol, The Old Vic review - older, wiser, and yet more moving

Read more...

The Witches, National Theatre review - fun and lively but where's the heart?

Read more...

Pages

latest in today

Music Reissues Weekly: The Cryin’ Shames - Please Stay, Do T...

Liverpool’s The Cryin’ Shames were responsible for two of mid-Sixties Britain’s most striking single’s tracks. The February 1966 top side “Please...

theartsdesk at Smetanova Litomyšl - three fascinating operas...

What did they put in the water of Czechia’s central Bohemia/Moravia borderlands? From south to north there's Mahler’s birthplace in Kali...

The Exorcism review - salvaged horror movie is a diabolical...

Helpfully, this is a film that reviews itself. Like it says on the posters, “They were making a cursed movie. They were warned not to. They should...

Album: Zara McFarlane - Sweet Whispers: Celebrating Sarah Va...

When Zara McFarlane sang the National Anthem at this year’s FA Cup Final, it served as a reminder of quite how adaptable she is, how suited so...

Green Border review - Europe's baleful boundary

We’re used to dabs of colour splashing briefly across black-and-white movies – Spielberg’s Schindler’s List or Coppola’s Rumble Fish...

Rain Parade, 229 review - the Paisley Underground perennials...

It kicks off with “No Easy Way Down.” First released on 1984’s mini-LP Explosions in the Glass Palace, it was an instant benchmark by...

The Bounds, Royal Court review - soccer play scores badly

Every day this week I’m watching a football match, and now – after April’s production of Lydia Higman, Julia Grogan and Rachel Lemon’s Gunter...

Album: Wytch Pycknyck - Wytch Pycknyck

Out on the perimeters where there are no stars, in a void full of bong-smoke and synesthetic noise… there, in a greasy biker hovel full of...

The Bikeriders review - beer, brawls and Harley-Davidsons

The best-known book about motorcycle gangs is Hunter S Thompson’s Hell’s Angels, a classic foundational text of the so-called “New...