wed 16/07/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the family

Read more...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin Greig honours Terence Rattigan

Read more...

The Brightening Air, Old Vic review - Chekhov jostles Conor McPherson in writer-director's latest

Read more...

Here We Are, National Theatre review - Sondheim's sensational swan song

Read more...

My Master Builder, Wyndham's Theatre review - Ewan McGregor headlines stillborn Ibsen riff

Read more...

Oscars 2025: long day's journey into 'Anora'

Read more...

Richard II, Bridge Theatre review - handsomely mounted, emotionally muted

Read more...

Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inert

Read more...

Best of 2024: Theatre

Read more...

The Devil Wears Prada, Dominion Theatre review - efficient but rarely inspired

Read more...

Wicked review - overly busy if beautifully sung cliffhanger

Read more...

Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to Spain

Read more...

The Years, Almeida Theatre review - matchless acting quintet makes for a must-see

Read more...

The Baker's Wife, Menier Chocolate Factory review - loving reappraisal doesn't entirely, well, rise

Read more...

Starlight Express, Troubadour Wembley Park Theatre review - freight is kinda great

Read more...

Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hyped

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...