sun 24/08/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Oscars 2021: Sluggish, yes, but some surprises too

Read more...

Sequin in a Blue Room review - soullessness and sex in Sydney

Read more...

Six Minutes to Midnight review - Judi Dench retains her dignity

Read more...

Moxie review - likeable if confused high school comedy

Read more...

To Olivia review - Keeley Hawes rises above brainless biopic

Read more...

Penguin Bloom, Netflix review - stirringly acted if sentimental

Read more...

Blithe Spirit review - cloth-eared Coward

Read more...

Best of 2020: Theatre

Read more...

A Christmas Carol, Old Vic online review - the bells have it once again

Read more...

A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too

Read more...

I'm Your Woman review - what's happening, indeed?

Read more...

The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirth

Read more...

The Prom review - merry Meryl in middling musical

Read more...

GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll

Read more...

Uncle Frank review - well-acted but painfully contrived

Read more...

No Hard Feelings review - tough-minded yet tender

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...

Dunedin Consort, Butt / D’Angelo, Muñoz, Edinburgh Internati...

Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells...

The Maccabees, Barrowland, Glasgow review - indie band retur...

You wait years for a guitar group with brothers to reunite and then two come along at once. The Maccabees return might have attracted far less...

Edinburgh Fringe 2025 reviews: Refuse / Terry's / Sugar

Refuse, Assembly George Square Studios ...

Album: Blood Orange - Essex Honey

The more time goes by, the more it seems like Dev Hynes might be the antidote to what Guy Debord called “the society of the spectacle”. As is...