tue 16/04/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Lie review - icily intriguing until it isn't

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Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith

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Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedy

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Rialto review - beautifully acted but relentless

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Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over

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Broken Hearts Gallery review - effortfully entertaining

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Rose, Hope Mill Theatre online review - a performer at her peak

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Get Duked! review - briefly endearing, then a chore

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Declan, Traverse Theatre online review - compressed and compelling

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Chemical Hearts review - turn off the sound

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A Little Night Music, Opera Holland Park review - wasn't it bliss?

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Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

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Perfect 10 review - a small movie with a big heart

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Imagine... My Name is Kwame, BBC One review - interesting but incomplete

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Theatre Unlocked 3: Signs of activity after a long siesta

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Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began

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Pages

latest in today

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

Blu-ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...

theartsdesk on Vinyl 83: Deep Purple, Annie Anxiety, Ghetts,...

VINYL OF THE MONTH

London Afrobeat Collective Esengo (Canopy)

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Heather McCalden: The Observable Universe review - reflectio...

Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial...

Richard, My Richard, Theatre Royal Bury St Edmund's rev...

History is very present in Philippa Gregory’s new play about Richard III. Literally - History is a character, played by Tom Kanji. He strides...

Spencer Jones: Making Friends, Soho Theatre review - award-w...

Lockdown feels more like a dream now: empty streets;...

Album: EMEL - MRA

At a time when conflicts in the Middle East are reaching fever pitch, Emel Mathlouthi represents hope. Her new album MRA, is titled for...