tue 07/10/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Best of 2023: Theatre

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Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

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A Christmas Carol, The Old Vic review - older, wiser, and yet more moving

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The Witches, National Theatre review - fun and lively but where's the heart?

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Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, too

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Crazy For You, Gillian Lynne Theatre review - high-kicking heaven

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Dear England, National Theatre review - filtering the national narrative through sport

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Aspects of Love, Lyric Theatre review - not much has actually changed

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Beau is Afraid review - life's ordeals in lengthy detail

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The Motive and the Cue, National Theatre review - theatrical titans face off

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Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival

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Private Lives, Donmar Warehouse review - Coward revival cuts to the quick

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Allelujah review - Alan Bennett put through the blender

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Oscars 2023 - the favourite lives up to its title

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Shirley Valentine, Duke of York's Theatre review - Sheridan Smith slays it

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Best of 2022: Theatre

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'We are bowled over!' Thank you for your messages... ...
R:Evolution, English National Ballet, Sadler's Wells re...

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Trio da Kali are griots, and their traditional role in...

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Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects...

theartsdesk Q&A: Idris Elba on playing a US President fa...

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's...

Echo Vocal Ensemble, Latto, Union Chapel review - eclectic c...

Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’...

Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...

Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review...

One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That...

Pop Will Eat Itself's 'Delete Everything' is...

Pop Will Eat Itself deserve to be more celebrated. The ...