thu 18/04/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Moxie review - likeable if confused high school comedy

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To Olivia review - Keeley Hawes rises above brainless biopic

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Penguin Bloom, Netflix review - stirringly acted if sentimental

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Blithe Spirit review - cloth-eared Coward

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Best of 2020: Theatre

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A Christmas Carol, Old Vic online review - the bells have it once again

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A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too

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I'm Your Woman review - what's happening, indeed?

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The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirth

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The Prom review - merry Meryl in middling musical

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GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll

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Uncle Frank review - well-acted but painfully contrived

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No Hard Feelings review - tough-minded yet tender

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Words on Bathroom Walls review - well-meaning but glib

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Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel

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Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season

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Pages

latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...