thu 31/07/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Imagine... My Name is Kwame, BBC One review - interesting but incomplete

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Theatre Unlocked 3: Signs of activity after a long siesta

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Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began

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Good Manners review - compellingly eerie

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Theatre Unlocked 1: George Floyd remembered, a classic transformed, and a call to action re climate change

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Love Sarah review - missing key ingredients

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Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rattigan, and a Dame or two in conversation

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Back Roads review - nice cheekbones, not much else

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Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh Apples

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Theatre Lockdown Special 11: Shakespeare-as-rave, a starlit Old Vic, and, yes, those singing nuns

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Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest

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Theatre Lockdown Special 9: Alan Bennett revisited, and so is Oz

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Banana Split review - likable if essentially timid romcom

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Theatre Lockdown Special 8: A film star plays tough, and several familiar titles are examined anew

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Theatre Lockdown Special 7: Party politics and a Broadway titan or two

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Theatre Lockdown Special 6: A prolific playwright, a timeless play, and speeches galore

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'We are bowled over!' Thank you for your messages... ...
The Narrow Road to the Deep North, BBC One review - love, de...

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...

The Daughter of Time, Charing Cross Theatre review - unfocus...

Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Richard III has never been a hotter,...

theartsdesk Q&A: actor Lars Eidinger on 'Dying...

To get Lars Eidinger "right", one must take him cloven hoof and all. He's intense, unconventional, and driven – but by what, exactly?...

Album: Cian Ducrot - Little Dreaming

Cian Ducrot cut his teeth on a blend of intimate singer-songwriter balladry and lowkey alt-pop, most of his debut album Victory ...

Evita, London Palladium review - even more thrilling the sec...

Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim Rice lyric...

Maiden Voyage, Southwark Playhouse review - new musical runs...

As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark...

Album: Bonniesongs - Strangest Feeling

It’s not foregrounded, but as Strangest Feeling beds in after repeated listens it becomes clear that one of its core traits is The Pixies...

theartsdesk at the Pärnu Music Festival 2025 - Arvo Pärt at...

Life-changing? That's how the Pärnu Music Festival felt on my first visit in 2015, alongside the discovery of...