fri 19/04/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Vassa, Almeida Theatre review - delayed opening doesn't land

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Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

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Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

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Judy review - Renée Zellweger's bravura screen comeback

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'Master Harold' ... and the Boys, National Theatre review - timelessly moving

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Ready or Not review - bloody awful

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Big the Musical, Dominion Theatre review - sweet if wildly overstretched

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Amsterdam, Orange Tree Theatre review - suffocatingly mannered

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The View UpStairs, Soho Theatre review - well-intentioned but needs a rewrite

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Making Noise Quietly review - poetic if occasionally precious

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Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

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Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy script

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The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill

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the end of history ..., Royal Court review - raises more questions than it answers

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Present Laughter, Old Vic review - Andrew Scott continues his rise and rise

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The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better

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latest in today

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...