thu 12/12/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Boy Friend, Menier Chocolate Factory review - fun but featherweight

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The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

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White Christmas, Dominion Theatre review - breezy but bland

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Harriet review - potentially stirring biopic proves a slog

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The Antipodes, National Theatre review - mysterious and gently momentous

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Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

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Vassa, Almeida Theatre review - delayed opening doesn't land

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Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

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Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

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Judy review - Renée Zellweger's bravura screen comeback

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'Master Harold' ... and the Boys, National Theatre review - timelessly moving

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Ready or Not review - bloody awful

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Big the Musical, Dominion Theatre review - sweet if wildly overstretched

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Amsterdam, Orange Tree Theatre review - suffocatingly mannered

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The View UpStairs, Soho Theatre review - well-intentioned but needs a rewrite

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Making Noise Quietly review - poetic if occasionally precious

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...

Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...