tue 27/05/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending lark

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Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new one

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Stile Antico, Wigmore Hall review - a glorious birthday celebration

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Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

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London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

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Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

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Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

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RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spirits

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Album: Ben Folds - Sleigher

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Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger

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Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

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The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

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Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms

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Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

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Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemoth

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...

Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...

Dara Ó Briain, Soho Theatre Walthamstow review - master stor...

Dara Ó Briain’s  has described his previous show So… Where Were We? – in which he describes his search for his birth...

Album: Anna Lapwood - Firedove

This album Firedove (Sony Classical), surely, has to be seen as part of a bigger story: that of organist, choir director and...

Batiashvili, LSO, Pappano, Barbican review - French and Poli...

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...

Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...

Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...