sun 24/11/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

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The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

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Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms

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Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

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Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemoth

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theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

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Prom 44, Shani, Rotterdam Philharmonic review - impressive multi-tasking by conductor-pianist

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Prom 36, McGill, BBCSSO, New review - summery Shakespearean mummery

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Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

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Prom 26, Feldmann, BBC Philharmonic, Bihlmaier review - two warhorses and a femmage

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NMC Recordings at 35, Dutch Church, London review - a fitting celebration

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Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very best

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Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

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St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

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Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

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Music Reissues Weekly: Stefan Gnyś - Horizoning

For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...

Wicked review - overly busy if beautifully sung cliffhanger

"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...

London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...

Snow Leopard review - clunky visual effects mar a director...

Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...

King James, Hampstead Theatre review - UK premiere drains a...

Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not...

Album: Kim Deal - Nobody Loves You More

The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without...

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme val...

From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he sat on a piano stool...

Hannah Scott, Worthing Pavilion Theatre Atrium review - fill...

London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the...