mon 17/02/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

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St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

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Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

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Kolesnikov, Wigmore Hall review - celestial navigation through a cabinet of wonders

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Dunedin Consort, Mulroy, Wigmore Hall review - songs of love old and new

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Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

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Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

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Elmore String Quartet, Kings Place review - impressive playing from an emerging group

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St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

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Our Mother, Stone Nest review - musical drama in a mother's grief

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Colin Currie Quartet, Wigmore Hall review - toccatas for triangles and teacups

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Malofeev, BBCSO, Lintu, Barbican review - finesse as well as fireworks

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Paraorchestra, Hazlewood, Southbank Centre review - re-thinking the orchestral experience

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Brian Klaas: Fluke review - why things happen, and can we stop them?

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Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical Christmas

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Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre review - joyous Christmas music by Bach

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...