thu 15/05/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Simon Trpčeski and Friends, Wigmore Hall online review – chamber music classics old and new

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Kopatchinskaja, Namoradze, Budapest Festival Orchestra, Fischer, RFH review – a Stravinsky feast

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Path of Miracles, Elysian Singers, St Pancras Church review – an ambitious musical pilgrimage

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Voces8 Live from London Christmas online review – seasonal favourites and new discoveries

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Solomon's Knot, Wigmore Hall review - festive music for uncertain times

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The Sixteen, Christophers, Cadogan Hall review - polished and impeccable but slightly sedate

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Colin Currie Group, RFH review - Reich premiere explores fresh territory

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Clements Prize, Conway Hall review - newly-written string trios in competition

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Two-Piano Gala, Kings Place review - five pianists, two pianos, too many pieces

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Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunity

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First Person: theartsdesk writer Bernard Hughes on composing for the BBC Proms

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Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportion

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Voces8 Live from London Summer online review - choral excellence and more besides

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BBCNOW, Bancroft, BBC Proms review – American music from across the spectrum

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Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workers

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Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...