sun 08/12/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Two-Piano Gala, Kings Place review - five pianists, two pianos, too many pieces

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Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunity

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First Person: theartsdesk writer Bernard Hughes on composing for the BBC Proms

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Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportion

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Voces8 Live from London Summer online review - choral excellence and more besides

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BBCNOW, Bancroft, BBC Proms review – American music from across the spectrum

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Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workers

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Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

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Coote, Philharmonia, Gardiner, Southbank Centre online review - English masterworks

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Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity

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Greig, I Fagiolini online review - poetry and music to redeem a damaged world

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Castalian Quartet, Stoller Hall, Manchester online review - mercurial playing fits a varied programme

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Ibragimova, Davies, Sampson, Arcangelo, Wigmore Hall online review – baroque masterpieces played with verve

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Gabrieli Consort, McCreesh online review - joyous Bach Christmas Oratorio

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Voces8 LIVE from London online review part 2 – an assortment box of Christmas choral treats

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Voces8 LIVE from London online review - a cracking choral Christmas

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Nocturnes review - the sounds of the rainforest transport yo...

If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often...

Julia Holter, Islington Assembly Hall review - shelter from...

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by...

Music Reissues Weekly: John Leyton - Lone Rider The Holloway...

For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...

theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...

Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...

Merchant Ivory review - fascinating documentary about the di...

“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to...

The Pirates of Penzance, English National Opera review - fre...

“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...

Hansel and Gretel, Shakespeare's Globe review - too sac...

Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...

Album: The Unthanks - In Winter

By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...