mon 17/02/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - chamber music supergroup in perfect accord

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Accentus, Insula orchestra, Equilbey, Barbican review - radiant French choral masterpieces

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Ben Folds, Royal Albert Hall review - piano pyrotechnics and modern musings

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Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac

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Capuçon, Philharmonia, Bancroft, RFH review - enjoyable all-American classics

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Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat

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Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild manner

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I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi Vespers

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The Yellow Wallpaper, Lilian Baylis Studio review - a tense and intimate monodrama

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Prom 43: Endgame, BBC Scottish SO, Ryan Wigglesworth review - beautiful sounds but slow, slow drama

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Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

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Prom 27: Wang, Hampson, BBC Symphony Orchestra, Mäkelä review - glittering night with music’s golden couple

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theartsdesk at the Voces8 Summer School - musical oasis offers opportunities for all

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Prom 17: CBSO, CBSO Chorus, Yamada review - Carmina Burana presses all the right buttons

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Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

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Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...