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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Eddie Pepitone, Special review - return of the curmudgeon

Saturday, 26 July 2025 Read more...

Summer Laugh review - five comics gear up for the Fringe

Monday, 30 June 2025 Read more...

Kieran Hodgson, Soho Theatre review - a love affair soured by Trump

Monday, 23 June 2025 Read more...

Sarah Silverman, Netflix Special review - finding the funny in losing a parent

Tuesday, 17 June 2025 Read more...

Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarn

Monday, 26 May 2025 Read more...

Mr Swallow: Show Pony, Richmond Theatre review - magic tricks and mayhem

Tuesday, 20 May 2025 Read more...

The Comedy About Spies, Noel Coward Theatre review - 'Goes Wrong' team hit the spot again

Thursday, 15 May 2025 Read more...

Zoe Lyons, Touring - midlife, without the crisis

Tuesday, 13 May 2025 Read more...

Greg Davies, Brighton Dome review - chocolate bars and errant bumholes

Tuesday, 22 April 2025 Read more...

Marcus Brigstocke, Touring review - modern manhood laid bare

Wednesday, 09 April 2025 Read more...

Matt Forde, Touring review - politics, poo and Viagra

Saturday, 08 March 2025 Read more...

Harry Hill, Wilton's Music Hall review - madcap comic on terrific form

Monday, 24 February 2025 Read more...

Amy Gledhill, Soho Theatre review - delightfully bawdy take on serious subjects

Monday, 03 February 2025 Read more...

Russell Howard Live at the Palladium review - feelgood philosophy with added smut

Wednesday, 29 January 2025 Read more...

Ben Elton, Duke of York's Theatre review - big subjects, big laughs

Monday, 20 January 2025 Read more...

Chris McCausland, Winchester Theatre Royal review - Strictly winner as cheerfully cynical as ever

Thursday, 16 January 2025 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Giselle, National Ballet of Japan review - return of a class...

A new Giselle? Not quite: the production that ...

The Waterfront, Netflix review - fish, drugs and rock'n...

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport,...

Buxton International Festival 2025 review - a lavish offerin...

The Buxton International Festival this year was lavish in its smaller-scale productions in addition to Ambroise Thomas’s Hamlet, the...

Classical CDs: Hens, Hamburg and handmaids

 

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Eddie Pepitone, Special review - return of the curmudgeon

There aren’t many comics like Eddie Pepitone any more – the veteran comic’s shtick harks to back an earlier age, pre-suitable for TV...

Album: Indigo de Souza - Precipice

Indigo de Souza, a singer from North Carolina, has established some reputation, mostly in the States, for combining...

Dying review - they fuck you up, your mum and dad

Despite the title of Matthias Glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but...

Album: Mádé Kuti - Chapter 1: Where Does Happiness Come From...

There can be few musicians on the planet from a more storied musical dynasty than Mádé Kuti. He is the son of Femi, the grandson of Fela. He grew...

theartsdesk Q&A: director Athina Rachel Tsangari on her...

Over a decade ago, a handful of Greek filmmakers set out to reinvent the national cinema amid the country's social and economic decline...