wed 02/04/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Matt Forde, Touring review - politics, poo and Viagra

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Harry Hill, Wilton's Music Hall review - madcap comic on terrific form

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Amy Gledhill, Soho Theatre review - delightfully bawdy take on serious subjects

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Russell Howard Live at the Palladium review - feelgood philosophy with added smut

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Ben Elton, Duke of York's Theatre review - big subjects, big laughs

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Chris McCausland, Winchester Theatre Royal review - Strictly winner as cheerfully cynical as ever

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Gala Preview Show, De Montfort Hall review - Leicester Comedy Festival nicely teed up

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Best of 2024: Comedy

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Jamie Foxx, Netflix Special review - doctors and divine intervention

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Ricky Gervais, Touring review - new show, not-so new gags

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Kemah Bob, Soho Theatre review - Thailand, massage and mental health

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Natalie Palamides: Weer, Soho Theatre review - a romcom of two halves

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Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale

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Rose Matafeo, Arcola Theatre review - Starstruck star muses on love

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Ellen DeGeneres, Netflix Special review - no mea culpa and few jokes

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Joe Rogan, Netflix Special review - US podcaster leaves the controversy - and the jokes - at home

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Stiletto, Charing Cross Theatre review - new musical excess

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...

Misericordia review - mushroom-gathering and murder in rural...

“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...

Owen Wingrave, RNCM, Manchester review - battle of a pacifis...

It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...

Apex Predator, Hampstead Theatre review - poor writing turns...

Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...

Album: Elton John and Brandi Carlile - Who Believes in Angel...

Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...

Balanchine: Three Signature Works, Royal Ballet review - exu...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Howard Amos: Russia Starts Here review - East meets West, vi...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

DVD/Blu-ray: The Substance

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”

Coralie Fargeat,...