fri 19/04/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Jason Manford, London Palladium review - lockdown laughs and feelgood fun

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Anuvab Pal, Soho Theatre review - Empire and Bollywood collide

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Olga Koch, Soho Theatre review - personal, political and playful

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Dead Ringers Live, London Wonderground review - impressionists on great form

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Edinburgh Fringe 2021: Comedy Allstars, Underbelly review - depleted festival kicks off

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Wonderville, Palace Theatre review - magic and illusion family show

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Bo Burnham: Inside, Netflix review - a masterpiece about lockdown angst

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Comedy Shindig, Melbourne Hall review - Jason Manford headlines opening night

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Jimmy Carr, Palace Theatre review - rape gags and risible claims

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Mark Thomas, Soho Theatre review - new state-of-the-nation show

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Four Quartets, Theatre Royal Bath review - Ralph Fiennes gives a compelling performance

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Arthur Smith, Brighton Fringe review - touching memoir of his dad

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Reclaim These Streets fundraiser, 21Soho review - entertaining mixed bill hosted by Sarah Keyworth

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Mark Watson's Carpool Comedy Club, Henley-Marlow review - Nish Kumar sticks it to the Tories

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Some Kind of Heaven review - a Florida retirement community yields its secrets

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Mark Watson's Carpool Comedy Club, the Hop Farm review - strong kick-off to 2021 live comedy

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...