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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Andy Zaltzman, Soho Theatre review - satire on the hoof

Monday, 16 May 2022 Read more...

Brandon Wardell, Soho Theatre review - US comic wings it

Thursday, 12 May 2022 Read more...

Stratagem With Alan Partridge, touring review - he's back as a lifestyle guru

Monday, 09 May 2022 Read more...

Barry & Joan review - quirky documentary about two vaudevillians

Friday, 06 May 2022 Read more...

Chivalry, Channel 4 review - Steve Coogan and Sarah Solemani's sharp Hollywood satire

Friday, 29 April 2022 Read more...

Shaparak Khorsandi, touring review - sex, drugs and rock'n'roll

Wednesday, 27 April 2022 Read more...

The Lost City review - terrific odd-couple comedy

Friday, 15 April 2022 Read more...

String v SPITTA, Soho Theatre review - rival children's entertainers battle it out

Monday, 11 April 2022 Read more...

Katherine Ryan, London Palladium review - a softer comic emerges

Monday, 04 April 2022 Read more...

Catherine Bohart, Soho Theatre review - anatomy of a break-up

Monday, 14 March 2022 Read more...

Bloody Difficult Women, Riverside Studios review - political drama

Wednesday, 02 March 2022 Read more...

Sarah Millican, Winter Gardens, Margate review - enjoyable filth

Tuesday, 01 March 2022 Read more...

Marry Me review - Jennifer Lopez vehicle delivers

Monday, 14 February 2022 Read more...

Death on the Nile review - Kenneth Branagh flounders again as Poirot

Friday, 11 February 2022 Read more...

Matt Forde: The Political Party review - topical stand-up and chat

Monday, 07 February 2022 Read more...

Nish Kumar, Soho Theatre review - how a bad gig turned into a terrific show

Monday, 31 January 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...