fri 10/10/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Olga Koch, Soho Theatre review - personal, political and playful

Monday, 13 September 2021 Read more...

Dead Ringers Live, London Wonderground review - impressionists on great form

Friday, 20 August 2021 Read more...

Edinburgh Fringe 2021: Comedy Allstars, Underbelly review - depleted festival kicks off

Thursday, 12 August 2021 Read more...

Wonderville, Palace Theatre review - magic and illusion family show

Thursday, 05 August 2021 Read more...

Bo Burnham: Inside, Netflix review - a masterpiece about lockdown angst

Monday, 02 August 2021 Read more...

Comedy Shindig, Melbourne Hall review - Jason Manford headlines opening night

Sunday, 18 July 2021 Read more...

Jimmy Carr, Palace Theatre review - rape gags and risible claims

Saturday, 19 June 2021 Read more...

Mark Thomas, Soho Theatre review - new state-of-the-nation show

Thursday, 10 June 2021 Read more...

Four Quartets, Theatre Royal Bath review - Ralph Fiennes gives a compelling performance

Friday, 04 June 2021 Read more...

Arthur Smith, Brighton Fringe review - touching memoir of his dad

Monday, 31 May 2021 Read more...

Reclaim These Streets fundraiser, 21Soho review - entertaining mixed bill hosted by Sarah Keyworth

Wednesday, 19 May 2021 Read more...

Mark Watson's Carpool Comedy Club, Henley-Marlow review - Nish Kumar sticks it to the Tories

Monday, 17 May 2021 Read more...

Some Kind of Heaven review - a Florida retirement community yields its secrets

Thursday, 13 May 2021 Read more...

Mark Watson's Carpool Comedy Club, the Hop Farm review - strong kick-off to 2021 live comedy

Monday, 03 May 2021 Read more...

Comedy podcasts round-up 5: politics, relationships and spoofery

Thursday, 29 April 2021 Read more...

The Importance of Being Earnest online review - Oscar Wilde updated for the Nando's generation

Wednesday, 21 April 2021 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio Da Kali, Milton Court review - Mali masters make the an...

Trio Da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs...