tue 30/04/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

God's Dice, Soho Theatre review - overlong and overblown

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Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-up

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Lenny Henry, Watford Colosseum review - enjoyable evening with genial host

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Hannah Gadsby, Royal Festival Hall review - simply magnificent

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The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new play

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Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

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Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

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Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

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Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

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Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

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The Capture, BBC One review - gripping drama about the surveillance society

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High Society: Cannabis Café, Channel 4 review - pointless investigation into drug-taking

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Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life

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Fleabag, Wyndham's Theatre review - superb swansong for modern classic

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Sink or Swim, Channel 4 review - the Channel awaits for these celebrities

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The Affair series 5, Sky Atlantic review - a new cast member adds intrigue

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Pages

latest in today

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...