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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

Monday, 23 September 2019 Read more...

Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

Friday, 20 September 2019 Read more...

Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

Tuesday, 17 September 2019 Read more...

Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

Wednesday, 11 September 2019 Read more...

The Capture, BBC One review - gripping drama about the surveillance society

Wednesday, 04 September 2019 Read more...

High Society: Cannabis Café, Channel 4 review - pointless investigation into drug-taking

Wednesday, 04 September 2019 Read more...

Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life

Friday, 30 August 2019 Read more...

Fleabag, Wyndham's Theatre review - superb swansong for modern classic

Thursday, 29 August 2019 Read more...

Sink or Swim, Channel 4 review - the Channel awaits for these celebrities

Wednesday, 28 August 2019 Read more...

The Affair series 5, Sky Atlantic review - a new cast member adds intrigue

Wednesday, 28 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Jordan Brookes/ Catherine Cohen

Sunday, 25 August 2019 Read more...

Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

Saturday, 17 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Alun Cochrane/ Sarah Keyworth/ Glenn Moore/ Sophie Duker

Friday, 16 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Catherine Bohart / Matt Parker / Nigel Ng / Zoë Coombs Marr

Wednesday, 14 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Phil Wang/ London Hughes/ Jack Gleadow/ Mr. Thing

Tuesday, 13 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Joanne McNally/ The Crown Dual/ Maisie Adam/ James McNicholas/ Titania McGrath

Monday, 12 August 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...