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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Lou Sanders, Soho Theatre review - shame put under the spotlight

Tuesday, 26 February 2019 Read more...

Cyprus Avenue, Royal Court Theatre review - Stephen Rea is utterly compelling

Wednesday, 20 February 2019 Read more...

Sheeps, Soho Theatre review - sketch comedy with a touch of the surreal

Tuesday, 19 February 2019 Read more...

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Thursday, 07 February 2019 Read more...

Lost Voice Guy, Soho Theatre review - Britain's Got Talent winner finds the funny in disability

Monday, 28 January 2019 Read more...

When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

Thursday, 24 January 2019 Read more...

Daniel Sloss, Leicester Square Theatre review - toxic masculinity examined

Monday, 21 January 2019 Read more...

James Acaster, Phoenix Theatre review - a masterclass in comedy

Wednesday, 16 January 2019 Read more...

Leicester Comedy Festival Gala Preview Show review - an entertaining mixed bag

Monday, 14 January 2019 Read more...

Catastrophe, Series 4, Channel 4 review - final series starts strongly

Wednesday, 09 January 2019 Read more...

The Catherine Tate Show Live, Wyndham's Theatre review - sketch show favourites on stage

Wednesday, 09 January 2019 Read more...

Best of 2018: Comedy

Friday, 28 December 2018 Read more...

Upstart Crow, BBC Two review - Shakespeare does Dickens in seasonal tale

Wednesday, 26 December 2018 Read more...

Caroline, or Change, Playhouse Theatre review - Sharon D Clarke is superlative

Wednesday, 19 December 2018 Read more...

Mary Poppins Returns review - Emily Blunt makes the role her own

Wednesday, 19 December 2018 Read more...

Aladdin, New Wimbledon Theatre review - enjoyable but underpowered

Monday, 17 December 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...