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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Hari Kondabolu, Soho Theatre review - from politics to papayas

Wednesday, 05 December 2018 Read more...

Matt Forde, Purcell Room review - politics plus deft impressions

Monday, 03 December 2018 Read more...

Dick Whittington, Lyric Hammersmith review - big-hearted fun

Wednesday, 28 November 2018 Read more...

Dave Gorman, Royal Festival Hall review - PowerPoint king is back with bite

Tuesday, 27 November 2018 Read more...

Natalie Palamides, Soho Theatre - challenging show about consent

Friday, 16 November 2018 Read more...

Peterloo review - Mike Leigh's angry historical drama

Thursday, 01 November 2018 Read more...

I and You, Hampstead Theatre review - Young Adult drama packs emotional punch

Tuesday, 30 October 2018 Read more...

Ayesha Hazarika, Soho Theatre review - feminism examined

Monday, 29 October 2018 Read more...

Ciarán Dowd, Soho Theatre review - terrific spoof swordsman tale

Monday, 15 October 2018 Read more...

The Bisexual, Channel 4 review - joyless comedy drama

Thursday, 11 October 2018 Read more...

Ivo Graham, Soho Theatre review - the perils of growing up

Monday, 08 October 2018 Read more...

Nish Kumar, Soho Theatre review - the state we're in

Friday, 05 October 2018 Read more...

Black 47 review - a gripping and unusual drama

Thursday, 27 September 2018 Read more...

Katherine Ryan, Garrick Theatre review - feminism with extra sass

Friday, 21 September 2018 Read more...

The League of Gentlemen Live Again!, Sunderland Empire review - going local for local people

Tuesday, 28 August 2018 Read more...

Edinburgh Fringe 2018: Rose Matafeo review

Monday, 27 August 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...