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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Sheeps, Soho Theatre review - sketch comedy with a touch of the surreal

Tuesday, 19 February 2019 Read more...

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Thursday, 07 February 2019 Read more...

Lost Voice Guy, Soho Theatre review - Britain's Got Talent winner finds the funny in disability

Monday, 28 January 2019 Read more...

When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

Thursday, 24 January 2019 Read more...

Daniel Sloss, Leicester Square Theatre review - toxic masculinity examined

Monday, 21 January 2019 Read more...

James Acaster, Phoenix Theatre review - a masterclass in comedy

Wednesday, 16 January 2019 Read more...

Leicester Comedy Festival Gala Preview Show review - an entertaining mixed bag

Monday, 14 January 2019 Read more...

Catastrophe, Series 4, Channel 4 review - final series starts strongly

Wednesday, 09 January 2019 Read more...

The Catherine Tate Show Live, Wyndham's Theatre review - sketch show favourites on stage

Wednesday, 09 January 2019 Read more...

Best of 2018: Comedy

Friday, 28 December 2018 Read more...

Upstart Crow, BBC Two review - Shakespeare does Dickens in seasonal tale

Wednesday, 26 December 2018 Read more...

Caroline, or Change, Playhouse Theatre review - Sharon D Clarke is superlative

Wednesday, 19 December 2018 Read more...

Mary Poppins Returns review - Emily Blunt makes the role her own

Wednesday, 19 December 2018 Read more...

Aladdin, New Wimbledon Theatre review - enjoyable but underpowered

Monday, 17 December 2018 Read more...

Aladdin, Hackney Empire review - Clive Rowe returns as the Dame

Monday, 10 December 2018 Read more...

Hari Kondabolu, Soho Theatre review - from politics to papayas

Wednesday, 05 December 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites and Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...

Dunedin Consort, Butt / D’Angelo, Muñoz, Edinburgh Internati...

Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells...