wed 18/06/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Funny Cow review - Maxine Peake is stellar

Thursday, 19 April 2018 Read more...

Angela Barnes, Soho Theatre review - history with great gags

Thursday, 19 April 2018 Read more...

Daliso Chaponda, Touring review - uneven but entertaining

Monday, 16 April 2018 Read more...

Quiz, Noël Coward Theatre, review - entertaining confection

Wednesday, 11 April 2018 Read more...

Isle of Dogs review - canine caper with a message

Friday, 30 March 2018 Read more...

Simon Evans, Soho Theatre review - intellect examined

Friday, 23 March 2018 Read more...

Craig Hill, Glasgow International Comedy Festival review - sweary and filthy fun

Monday, 12 March 2018 Read more...

Mom and Dad review - daft and dark zombie thriller

Wednesday, 28 February 2018 Read more...

Fern Brady, Soho Theatre review - opinions with raw edge

Tuesday, 27 February 2018 Read more...

Rose Matafeo, Soho Theatre review - sassy and she knows it

Thursday, 22 February 2018 Read more...

Hannah Gadsby, Soho Theatre review - misogyny explored

Monday, 12 February 2018 Read more...

Andrew Maxwell, Soho Theatre - insightful political comedy

Friday, 09 February 2018 Read more...

Chris Rock, SSE Wembley Arena review - energetic and fast-moving performance

Monday, 29 January 2018 Read more...

Leicester Comedy Festival Gala Preview Show - going from strength to strength

Monday, 15 January 2018 Read more...

Best of 2017: Comedy

Thursday, 28 December 2017 Read more...

300 Years of French and Saunders, BBC1 review - seasonal treat from the sketch duo

Tuesday, 26 December 2017 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...