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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Matt Forde, Purcell Room review - politics plus deft impressions

Monday, 03 December 2018 Read more...

Dick Whittington, Lyric Hammersmith review - big-hearted fun

Wednesday, 28 November 2018 Read more...

Dave Gorman, Royal Festival Hall review - PowerPoint king is back with bite

Tuesday, 27 November 2018 Read more...

Natalie Palamides, Soho Theatre - challenging show about consent

Friday, 16 November 2018 Read more...

Peterloo review - Mike Leigh's angry historical drama

Thursday, 01 November 2018 Read more...

I and You, Hampstead Theatre review - Young Adult drama packs emotional punch

Tuesday, 30 October 2018 Read more...

Ayesha Hazarika, Soho Theatre review - feminism examined

Monday, 29 October 2018 Read more...

Ciarán Dowd, Soho Theatre review - terrific spoof swordsman tale

Monday, 15 October 2018 Read more...

The Bisexual, Channel 4 review - joyless comedy drama

Thursday, 11 October 2018 Read more...

Ivo Graham, Soho Theatre review - the perils of growing up

Monday, 08 October 2018 Read more...

Nish Kumar, Soho Theatre review - the state we're in

Friday, 05 October 2018 Read more...

Black 47 review - a gripping and unusual drama

Thursday, 27 September 2018 Read more...

Katherine Ryan, Garrick Theatre review - feminism with extra sass

Friday, 21 September 2018 Read more...

The League of Gentlemen Live Again!, Sunderland Empire review - going local for local people

Tuesday, 28 August 2018 Read more...

Edinburgh Fringe 2018: Rose Matafeo review

Monday, 27 August 2018 Read more...

Edinburgh Fringe 2018 reviews: Rosie Jones/ Marcus Brigstocke/ Alice Snedden

Friday, 17 August 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Elizabeth Alker: Everything We Do is Music review - Prokofie...

Composers and musicians explore acoustic...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...