tue 30/04/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2019 reviews: Jordan Brookes/ Catherine Cohen

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Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

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Edinburgh Fringe 2019 reviews: Alun Cochrane/ Sarah Keyworth/ Glenn Moore/ Sophie Duker

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Edinburgh Fringe 2019 reviews: Catherine Bohart / Matt Parker / Nigel Ng / Zoë Coombs Marr

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Edinburgh Fringe 2019 reviews: Phil Wang/ London Hughes/ Jack Gleadow/ Mr. Thing

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Edinburgh Fringe 2019 reviews: Joanne McNally/ The Crown Dual/ Maisie Adam/ James McNicholas/ Titania McGrath

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Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

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Edinburgh Fringe 2019 reviews: Clive Anderson / Goodbear

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Edinburgh Fringe 2019 reviews: Nick Helm/ Just These Please/ Anna Drezen

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Edinburgh Fringe 2019 reviews: Josie Long / Snort / Sara Barron

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Edinburgh Fringe 2019 reviews: Ciaran Dowd/ Tom Parry/ Suzi Ruffell, Pleasance Courtyard

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Who Do You Think You Are? - Naomie Harris, BBC One review - shocks old and new

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k.d.lang, Brighton Dome review - superb revival of classic album

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Robin Ince, Soho Theatre review - fun among the chaos

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Jerry Seinfeld, Eventim Apollo review - slick and smart but curiously soulless

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Arthur Smith, Soho Theatre review - charming tribute to his father

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latest in today

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...