tue 30/04/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Magic Goes Wrong, Vaudeville Theatre review - entertaining spoof

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White House Farm, ITV review - gripping opener of true crime drama

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Best of 2019: Comedy

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Gavin & Stacey Christmas Special, BBC One - a big cwtch from Barry

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Peter Pan Goes Wrong, Alexandra Palace Theatre review - JM Barrie's classic as you have never seen it before

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Agatha and the Curse of Ishtar, Channel 5 review - a diverting melding of fact and fiction

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Goldilocks and the Three Bears, London Palladium review - joyously filthy fun

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Adam Kay, Bloomsbury Theatre review - festive tales from the NHS coalface

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ABBA: Super Troupers The Exhibition, O2 - one for the supergroup's completists

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Andy Parsons, Stamford Corn Exchange review - politics and the art of persuasion

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Jack Whitehall, O2 Arena - a mix of posh and puerile

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Ivo Graham: The Game of Life, Soho Theatre review - privilege and parenting

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Stewart Lee: Tornado/Snowflake, Leicester Square Theatre review - snark to Sharknado

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Jack Dee, Gordon Craig Theatre, Stevenage review - now he really is a grumpy old man

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Jonathan Pie, Eventim Apollo review - spoof reporter in coruscating form

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Lou Sanders, Soho Theatre review - feminism and dodgy massages

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Pages

latest in today

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...