mon 22/09/2025
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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2023 reviews: Olga Koch / Bill O'Neill / Mary O'Connell

Friday, 18 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Darran Griffiths / Louise Atkinson / Louise Young

Wednesday, 16 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

Tuesday, 15 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Monday, 14 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Rob Auton / Laura Davis / Matt Forde

Saturday, 12 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Friday, 11 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Amos Gill/ Lorna Rose Treen/ Crizards

Thursday, 10 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Krystal Evans / William Thompson / Alison Spittle

Wednesday, 09 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ania Magliano / Elliot Steel / Alexandra Haddow

Tuesday, 08 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ed Byrne / Fiona Allen / Kieran Hodgson

Monday, 07 August 2023 Read more...

Urooj Ashfaq, Soho Theatre review - assured UK debut by Mumbai stand-up

Tuesday, 01 August 2023 Read more...

Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surreal

Wednesday, 26 July 2023 Read more...

Amy Schumer, Netflix Special review - New York smarts about being a fortysomething

Friday, 30 June 2023 Read more...

John Kearns, Brighton Komedia review - Van Gogh, joining the circus and pooey nappies

Monday, 29 May 2023 Read more...

Phil Wang, RFH review - smut and smarts

Tuesday, 23 May 2023 Read more...

Hannah Gadsby, Netflix special review - shaggy dog story of marital bliss

Tuesday, 16 May 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...