mon 22/09/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Tuesday, 05 March 2024 Read more...

Andy Parsons, Touring review - reasons to be cheerful...

Wednesday, 28 February 2024 Read more...

Paul Foot, Soho Theatre review - how to discover the meaning of life

Monday, 19 February 2024 Read more...

Jessica Fostekew, Soho Theatre review - age is just a number

Tuesday, 13 February 2024 Read more...

Tatty Macleod, Soho Theatre review - cross-Channel relations

Thursday, 11 January 2024 Read more...

Best of 2023: Comedy

Saturday, 30 December 2023 Read more...

Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

Friday, 22 December 2023 Read more...

Lucy Beaumont, Touring review - Hull’s finest goes on the road

Friday, 10 November 2023 Read more...

Michael McIntyre, Brighton Centre review - observational everyman

Monday, 30 October 2023 Read more...

John Robins, touring - high anxiety can be funny

Friday, 20 October 2023 Read more...

The Miracle Club review - unchallenging but enjoyable Irish drama

Friday, 13 October 2023 Read more...

The Foreigners' Panto, BOLD Theatre review - no laughing matter

Tuesday, 10 October 2023 Read more...

Peter Kay, O2 Arena review - comeback show is worth the wait

Monday, 18 September 2023 Read more...

Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

Tuesday, 12 September 2023 Read more...

Edinburgh Fringe 2023 review: Ahir Shah

Monday, 28 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Janine Harouni / Paddy Young / Ian Smith

Friday, 25 August 2023 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Classical CDs: Shrouds, silhouettes and superstition

 

...