sat 18/05/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Harry Hill, touring review - uneven madcap show

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Kim Noble, Soho Theatre review - final part of trilogy about loneliness

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Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

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Rob Rouse, Rewind the Fringe review - unstructured but gleeful fun

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Dave Edinburgh Comedy Awards 2022

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Edinburgh Fringe 2022 reviews: Joseph Parsons / Njambi McGrath / Josh Jones

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Edinburgh Fringe 2022 reviews: Jake Lambert / Bella Hull / Jack Harris

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Edinburgh Fringe 2022 reviews: Hal Cruttenden / Zach Zucker / The Delightful Sausage

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Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keyworth / Andrew Maxwell

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Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / Chloe Petts

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Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / Sophie Duker

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Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers!

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Edinburgh Fringe 2022 reviews: Kiri Pritchard-McLean / Lou Sanders / Snort

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Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Susie McCabe

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Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murder! / Hiya Dolly!

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Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Boris III

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latest in today

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Album: Billie Eilish - Hit Me Hard and Soft

So Billie Eilish’s new album has had its worldwide midnight release,...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...