sun 13/07/2025

Film Reviews

Marry Me review - Jennifer Lopez vehicle delivers

Veronica Lee

Lots of drama follows well-worn paths; just as we expect that in a tragedy that Chekhov's gun (or variants of it) will deliver the denouement, so we know that in a romcom the two leads will end up together. So – no spoilers, but you know the drill – Jennifer Lopez and Owen Wilson's characters overcome all sorts of obstacles that could thwart their romance.

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Death on the Nile review - Kenneth Branagh flounders again as Poirot

Veronica Lee

Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really.

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Flee review - award-winning documentary portrays the refugee experience

Saskia Baron

It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. 

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The Souvenir Part II review – the problem with posh realism

Graham Fuller

The Souvenir Part II apparently concludes Joanna Hogg’s fly-on-the-wall drama about a woman film student's emotional evolution as the victim of both her older boyfriend's abuse and the disdain of her male instructors. It’s a psychologically perceptive drama full of acute observations, yet it’s disconcerting in its social complacency.

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The Night Doctor review - down and out in Paris

Markie Robson-Scott

Elie Wajeman’s moodily lit film noir is, among other things, a great advertisement for the French healthcare system. Doctors in Paris do home visits! Even at night, and even for minor troubles such as a painful leg or stomach upset. It costs slightly more than going to the surgery, but t’inquiète pas, you’ll be reimbursed. Just don't lose your insurance card.

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Lingui: The Sacred Bonds review - female love finds a way

Nick Hasted

“Lingui” is the Chadian word for “sacred bonds, the common thread”, a social ideal put to the test here by an illegal abortion.

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Parallel Mothers review - letting the dead speak

Nick Hasted

Almodóvar has rarely returned to the petrified Spain of his youth, flinging off Franco’s oppression by ignoring it in his early films of freewheeling provocation, where anarchic, hot freedom was all of the law. In this sober tale of secrets and lies, though, his nation’s past is literally dug up.

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The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stops

Markie Robson-Scott

US televangelists Tammy Faye and Jim Bakker’s rise and spectacular fall from grace in the Seventies and Eighties has already been covered in a documentary film of the same name, released in 2000 with a voice-over by RuPaul.

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Belfast review - coming of age amid the terror of the Troubles

Adam Sweeting

For all his achievements as actor and director, Kenneth Branagh isn’t immediately thought of as a screenwriter, despite his multiple Shakespeare adaptations. That may all change with Belfast, because Branagh’s deeply personal account (he’s both writer and director) of a Northern Irish childhood in the early days of the Troubles has a little touch of magic about it.

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Long Promised Road review - another attempt to probe the fragile genius of Brian Wilson

Adam Sweeting

There has been no shortage of documentaries about king Beach Boy Brian Wilson, not to mention the 2014 bio-drama Love & Mercy, so the purpose of this new effort by director Brent Wilson (no relation) isn’t altogether clear.

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Nightmare Alley review - a dazzling trip through a heart of darkness

Adam Sweeting

Director Guillermo del Toro has described Nightmare Alley as “a straight, really dark story”, lacking the supernatural elements in his previous films such as Crimson Peak and The Shape of Water. Nonetheless, Nightmare Alley still feels like a spectral visitation from a weird and menacing dimension.

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Memory Box review - exquisitely made drama set in Lebanon

Saskia Baron

Memory Box is that rare thing, a glimpse into a lost world from its traumatised inhabitants. Made by the Lebanese artist-filmmakers, Joana Hadjithomas and Khalil Joreige (a husband and wife team), it’s an intergenerational drama split between Beirut during the Eighties (the height of the Lebanese Civil War) and present day Canada. 

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Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

Adam Sweeting

The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two.

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Don't Look Up, Netflix review - hitting most targets in high style

David Nice

Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis.

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The Humans review - staring headlong into the abyss

Matt Wolf

A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place.

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A Hero review - a morality tale with no firm conclusions

Markie Robson-Scott

A Hero, set in the ancient city of Shiraz in southwest Iran, revolves around Rahim (Amir Jadidi), a weak man with gleaming white teeth and a permanent smile.
 
He’s on leave from prison for the weekend, an odd concept in itself, as there are no restrictions to his movements and the whole set-up seems surprisingly lax and polite for what we might expect from an Iranian jail.

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