Film Reviews
Bank Job review - an inspirational look at financeWednesday, 09 June 2021
A fun film about finance – really? From the very first frame I was hooked on this can-do documentary; it’s that good. A young family – parents, Dan Edelstyn and Hilary Powell, two kids and two dogs – gather at the front door of their Victorian terraced house in Walthamstow and grin sheepishly to camera. Read more... |
Dark Days, Luminous Nights, Manchester Collective, The White Hotel, Salford review - a sense of HadesTuesday, 08 June 2021
Did you wonder what all those creative musicians and artists did when they couldn’t perform in public last winter? Some of them started making films. Read more... |
A Quiet Place Part II review - noise abatement sequelFriday, 04 June 2021
Fourteen months after the Manhattan premiere of John Krasinski's A Quiet Place Part II – and three years after his taut, spare original spawned the most suspenseful sci-fi horror franchise of recent times – the movie is setting post-pandemic box office records. Read more... |
Blu-ray: Jungle FeverSunday, 30 May 2021
Thirty years since its original release, Jungle Fever appears on Blu-ray for the first time, courtesy of the British Film Institute. Some aspects of the movie have aged well – it’s electrifying to revisit Samuel L Jackson’s breakthrough performance as a crack addict plumbing new depths to feed his habit. But other aspects haven’t fared so well, primarily the script’s sexual politics and the casting of Wesley Snipes as the (anti) romantic male lead. Read more... |
First Cow review - beautifully realised frontier dramaFriday, 28 May 2021
Kelly Reichardt is one of America’s most distinctive directors, whose meticulously detailed, character and place-driven dramas have a lowkey vibe that belies their impact. Read more... |
Frankie review - dying for nuanceThursday, 27 May 2021
American filmmaker Ira Sachs excels at crafting throughtful relationship dramas in which middle-class characters confronted with crises or unanticipated realisations gain valuable emotional knowledge. His best works – Forty Shades of Blue (2005), Keep the Lights On (2012), and Little Men (2016) – demonstrate an evenness and maturity rare in the rough and tumble of indie cinema. Read more... |
Cruella review - fabulous fashions, creaky narrativeThursday, 27 May 2021
Is Cruella the escapist blockbuster the Covid-blighted world has been waiting for? Well, it’s a feast for the eyes but 20 minutes too long, and for an origin story of the despicable Cruella De Vil of The Hundred and One Dalmations fame, it lacks the killer instinct when it comes to the crunch. Read more... |
My New York Year review - lacklustre portrait of an ingenueSaturday, 22 May 2021
This pallid chick flick limps out on release having changed its title since its Berlinale 2020 debut; in the US it's known as My Salinger Year, but perhaps market research in Blighty decreed that name-checking the author of The Catcher in the Rye wouldn't play as well here. Read more... |
Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in MontanaFriday, 21 May 2021
With a track record which includes both Sicario movies, Hell or High Water and Wind River, Taylor Sheridan packs some muscle in the action-thriller department, though Those Who Wish Me Dead can’t match those previous highlights. Read more... |
Nomadland review - on the road in the American WestFriday, 21 May 2021
Fern (a luminous Frances McDormand) used to work in HR. Now, aged 62, she’s harvesting sugarbeets, hauling rocks, cleaning toilets in a trailer park and doing shifts in an Amazon warehouse. And she’s living out of her camper van, a shabby, lovingly restored RV she calls Vanguard. “I’m not homeless, I’m houseless,” she says, driving through vast Western landscapes under spectacular skies. Read more... |
Rare Beasts review - Billie Piper as triple threatThursday, 20 May 2021
Emotions don't come in half-measures in Rare Beasts, with which Billie Piper makes a commendably edgy debut as writer-director onscreen while affording herself a stonking star part. Read more... |
Army of the Dead review - triumphant return to zombieland by director Zack SnyderWednesday, 19 May 2021
Zack Snyder’s CV includes such fantastic fare as Watchmen, 300, Man of Steel and his career-launching zombie-fest Dawn of the Dead, so who better to helm a zombies-in-Vegas heist movie? Read more... |
The Human Voice review - an intense half-hour that pulls no punchesWednesday, 19 May 2021
I wonder how many relationships have foundered during lockdown and how many have suffered the humiliation of being dumped over the phone or via social media? Read more... |
Ferry review - the making of a Dutch gangsterMonday, 17 May 2021
Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this formulaic movie is stalling, predictable and riddled with every gangster cliché in the book. Read more... |
The Woman in the Window review - hitching a ride with HitchSaturday, 15 May 2021
Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Read more... |
End of Sentence review - an American father and his estranged son reconcile in IrelandSaturday, 15 May 2021
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a wordless short starring John Hurt, won several awards in 2011) is a study in family shame, masculinity and keeping things inside. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
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