Film Reviews
The Metamorphosis of Birds review - picture perfectTuesday, 15 March 2022
How do you make a film about death, love and loss that avoids being sentimental, maudlin or pretentious? Take your cue from Portuguese artist Catarina Vasconcelos. Read more... |
The Godfather, Coda: The Death of Michael Corleone review - can it pull you back in?Sunday, 13 March 2022
The relative runt of the Godfather litter was hacked out in a Las Vegas casino, as Francis Ford Coppola and Mario Puzo worked up scenarios for an assignment taken on for the money. Read more... |
Great Freedom review - love behind bars in GermanySaturday, 12 March 2022
A story of forbidden love, Great Freedom takes place almost entirely in a prison. The film's background is encapsulated in the word “175er/ hundertfünfundsiebziger”, still to be found in German dictionaries and collective memories as a pejorative word for a gay man. Read more... |
A Banquet review – horror, done beforeFriday, 11 March 2022
One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her husband’s hospital-style bed, as he coughs, gasps, and weeps for an end to whatever ghastly affliction he has been dealt. Read more... |
Master Cheng review - slight but soothing Finnish-Chinese romanceThursday, 10 March 2022
There’s a long tradition of foodie romances proving art-house cinema hits – think of Babette’s Feast, Tampopo, and Chocolat. Sadly, it’s unlikely that Master Cheng, a gentle and very slow Finnish-Chinese coproduction about a chef from Shanghai charming the Nordic locals with his cleaver skills, is going to light up the UK box office. Read more... |
The Batman review - lean and mean, yet againFriday, 04 March 2022
Robert Pattinson’s Batman is lean and aquiline, his Bruce Wayne an obsessive recluse. Read more... |
Rebel Dread review - generous documentary portrait of punk-reggae legend Don LettsThursday, 03 March 2022
Don Letts, the film director, musician and DJ responsible for so many of the iconic images of punk and reggae artists, executive produced this documentary portrait. Read more... |
The Duke review - a new feelgood classicSaturday, 26 February 2022
The Duke, directed by the late Roger Michell (1956-2021), is a delight. At its heart is a towering, defining performance from Jim Broadbent and an unforgettably surprising role for Helen Mirren. Read more... |
Cyrano review - a heady cinematic ValentineThursday, 24 February 2022
Edmond Rostand’s familiar story of ventriloquised love becomes a sensual, sacrificial tragedy, in Joe Wright’s heady cinematic Valentine, adapted by screenwriter Erica Schmidt from her own stage musical, with music by members of The National. Read more... |
La Mif review - Swiss docu-drama focuses on troubled teensThursday, 24 February 2022
La Mif is French slang for family - it’s the cool kids practice of reversing key words known as ‘verlan’ (itself l’envers backwards) to create their own language. Read more... |
Here Before review - family values under supernatural pressureFriday, 18 February 2022
You generally find that a movie with Andrea Riseborough in it is worth a look, and so it proves here. Read more... |
The Real Charlie Chaplin review - not as revealing as its title suggestsWednesday, 16 February 2022
Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”. Read more... |
Wheel of Fortune and Fantasy review - a trio of tales from JapanMonday, 14 February 2022
With some films it’s all about the editing, a brisk parade of striking images accompanied by a kinetic score. And then there are films like Hamaguchi Ryusuke’s Wheel of Fortune and Fantasy and the Oscar-nominated Drive My Car, where the camera stays still and watches the performers watching each other talk. Read more... |
Marry Me review - Jennifer Lopez vehicle deliversMonday, 14 February 2022
Lots of drama follows well-worn paths; just as we expect that in a tragedy that Chekhov's gun (or variants of it) will deliver the denouement, so we know that in a romcom the two leads will end up together. So – no spoilers, but you know the drill – Jennifer Lopez and Owen Wilson's characters overcome all sorts of obstacles that could thwart their romance. Read more... |
Death on the Nile review - Kenneth Branagh flounders again as PoirotFriday, 11 February 2022
Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really. Read more... |
Flee review - award-winning documentary portrays the refugee experienceThursday, 10 February 2022
It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. Read more... |
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