thu 06/03/2025

Film Reviews

Judas and the Black Messiah review - powerful biopic

Saskia Baron

One of the sadnesses of covid is that films like Judas and the Black Messiah have been held over for release in the hope that cinemas will reopen. Immersive, intense features like this deserve to be seen in a darkened theatre with no distractions. But as the pandemic drags on in the UK, distributors are forced to debut big films on the small screen and it’s a real shame in this instance. 

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To Olivia review - Keeley Hawes rises above brainless biopic

Matt Wolf

Sure, Roald Dahl wrote Charlie and the Chocolate Factory but is that any excuse for a film quite so saccharine? He of all challenging and complex men, with a temperament to match, seems an odd subject for the sort of weightless, paint-by-numbers biopic that would be hard-pressed to muster much attention even as TV filler on a particularly dead night.

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Music review - a few music videos cobbled together

Tom Baily

What did Sia want to achieve with Music, her deeply confused first stumble into filmmaking? The reclusive Australian has enjoyed years of global fame for a successful music career. Was it never enough?

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PVT CHAT review - the cam girl who loved me

Graham Fuller

An initially off-putting erotic comedy thriller about the relationship between a webcam dominatrix, “Scarlet” (Julia Fox), and the Internet gambler, Jack (Peter Vack), who becomes obsessed with her, Ben Hozie’s sexually graphic PVT CHAT becomes increasingly resonant as it proceeds – and surprisin

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Simple Passion review – a case of female amour fou

Graham Fuller

Pushing 40, Simple Passion’s Hélène (Laetitia Dosch) lectures Paris college students on poetry and is single mother to pre-adolescent Paul (Lou Teymour-Thion).

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Rams review – softhearted bush-loving drama

Tom Baily

Kiwi and Aussie screen legends Sam Neill and Michael Caton have teamed up in this heartfelt and humorous remake of Grímur Hákonarson’s 2015 Icelandic original. The template of Hákonarson’s story has been transplanted but all the details and fillings have changed.

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Bliss review - simulation or real life?

Markie Robson-Scott

Bliss gets off to a powerful start.

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Malcolm & Marie review - actorly grandstanding in beautiful black and white

Saskia Baron

Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the perfect movie for you.

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Assassins review - unravelling the bizarre death of Kim Jong-nam

Adam Sweeting

The 2017 killing of Kim Jong-nam, older half-brother of North Korea’s leader Kim Jong-un, was a chilling expression of merciless Pyongyang realpolitik.

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The Capote Tapes review - lush portrait of the louche writer

Saskia Baron

"A candied tarantula" is one of the many great descriptions of Truman Capote that light up this conventionally made but enjoyable profile of the American author most famous for Breakfast at Tiffany’s and&nbs

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Penguin Bloom, Netflix review - stirringly acted if sentimental

Matt Wolf

Two genuinely lovely performances elevate an often-simplistic tale in Penguin Bloom, based on a 2016 memoir of the same name.

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The Dig, Netflix review - a haunting exploration of time and timelessness

Adam Sweeting

The Sutton Hoo burial site in Suffolk has proved to be one of the most valuable archaeological finds ever made in Britain, shedding priceless light on the Anglo-Saxon period of the 6th and 7th Centuries.

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Persian Lessons review - confusing Holocaust drama

Saskia Baron

This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director Wolfgang Kohlhaase but made by the Ukrainian director Vadim Perelman.

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Quo Vadis, Aida review - a Bosnian woman confronts genocide

mark Kidel

Jasmila Žbanić’s latest film, once again about the people of her native Bosnia and Herzegovina, is hardly an easy watch. Focusing on Aida, a passionate and highly capable interpreter for the UN forces in former Yugoslavia, she unflinchingly tells the story of the 1995 massacre of well over 6000 Muslim Bosnian men and

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Baby Done review - romcom done right

Owen Richards

Romcoms. We all know the tried and tested formula: immature guy, uptight girl, they meet, they like each other, hate each other, and end up in love. It’s as reliable as it is unrealistic, and sometimes it takes a film like Baby Done to remind you there is a better way.

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76 Days review - disturbing record of the initial outbreak of Covid-19

Tom Baily

It is probable that no other document gets closer to the direct experience of frontline workers and victims of Covid-19 than the documentary 76 Days. It is also true that the film is not very enjoyable. Nor, sadly, does it feel especially unique.

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