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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Songhoy Blues, Hare & Hounds, Birmingham review – West A...
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...
Goebbels and the Führer review - behind the scenes from the...
“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...
Album: Turnstile - NEVER ENOUGH
Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...
Fiddler on the Roof, Barbican review - lean, muscular delive...
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...
In Praise of Love, Orange Tree Theatre review - subdued prod...
Terence Rattigan's rehabilitation – some...
Album: Little Simz - Lotus
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...
Letters from Max, Hampstead Theatre review - inventively sta...
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...
Bradford City of Culture 2025 review - new magic conjured fr...
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....
Album: Death In Vegas - Death Mask
A long time ago, in a galaxy far, far away called the late 1990s,...