fri 18/07/2025

Film Reviews

I'm Your Woman review - what's happening, indeed?

Matt Wolf

"What's happening?", or so Jean (Rachel Brosnahan) asks time and again in I'm Your Woman, voicing the very question posed by an audience. Bewilderment would seem to be a constant state of being in director and co-writer Julia Hart's film, which doesn't so much derive suspense from withholding information as revel in an opaque narrative that I, for one, tuned out of well before the close.

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Mosul, Netflix review - gruelling story of Iraq's Nineveh SWAT team

Adam Sweeting

It may seem incongruous that a factually-based film about Iraqis battling against murderous Islamic State invaders should have been produced by the Russo brothers, famous for Marvel’s Avengers and Captain America blockbusters.

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The Mole Agent review - leftfield and charming documentary

Demetrios Matheou

The Chilean director Maite Alberdi makes warm, witty, empathetic, fly-on-the-wall documentaries, whose subjects are always surprising. 

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American Utopia review - the new age of the concert movie

Tom Baily

American Utopia is not your average Spike Lee joint. He has teamed up with David Byrne of Talking Heads to make a concert movie based on Byrne’s lauded Broadway show of the same name, which opened in October 2019 in a limited run. After the success, Byrne invited Lee to direct this screen version.

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The Midnight Sky review – flawed but moving apocalyptic sci-fi

Demetrios Matheou

The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn incomers to stay the hell away. As science-fiction premises go, it feels rather apt. 

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The Prom review - merry Meryl in middling musical

Matt Wolf

Four Broadway denizens resolve to change the world "one lesbian at a time" in the cheerful if often cheesy The Prom, the film adaptation of a recent Broadway musical that continually reminds you of at least a half-dozen similar...

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Host review - Zoom seance triggers unspeakable consequences

Adam Sweeting

Lockdowns must be good for something, right?

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Falling review - Viggo Mortensen's powerful directorial debut

Markie Robson-Scott

“California is for cocksuckers and flag-burners. Did they know you were a fag in the army?” Willis (Lance Henriksen; best known as Bishop in Alien) asks his son John (Viggo Mortensen), now living in LA with his husband Eric and their adopted daughter Monica.

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County Lines review - a scary descent into drug-dealer purgatory

Adam Sweeting

This debut feature by writer/director Henry Blake is a shocking and remarkably assured drama about the “county lines” trade, where children are used as drug traffickers.

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Mank review – David Fincher’s brilliant, bitter-sweet paean to Hollywood’s Golden Age

Demetrios Matheou

For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw virus-conscious punters back to the big screen. The assertion was always fanciful, the pandemic being too long a haul; with no disrespect to Christopher Nolan, the fanfare around his latest spoke more of industry desperation than reality.

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Collective review - waging war on corruption

Graham Fuller

It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of corrumpere, “to mar, bribe, destroy” – was first associated with putrefaction.

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Uncle Frank review - well-acted but painfully contrived

Matt Wolf

A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past.

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Another Round review - delight and despair

Joseph Walsh

You can practically smell the fumes coming off Thomas Vinterbergs latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood alcohol level that is 0.05 percent too low.

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Possessor review - death by virtual reality

Adam Sweeting

Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature.

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Hillbilly Elegy review - misery in the heartland

Graham Fuller

Published in June 2016, J.D.

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Leap of Faith review – Alexandre O. Philippe examines ‘The Exorcist’

Joseph Walsh

Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind the camera but in front of it, spiritedly discussing the genesis of his horror masterpiece with Philippe.

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