Film Reviews
Saint Maud review - creepy and strangely topical psychological horrorThursday, 08 October 2020
It only takes a few seconds of Saint Maud – dripping blood, a dead body contorted on a gurney, a young woman’s deranged face staring at an insect on the ceiling, an industrial clamour more likely to score the gates of hell than the pearly ones – to make us realise that the film’s title is a tad ironic. Read more... |
David Attenborough: A Life On Our Planet review - is the end nigh?Thursday, 08 October 2020
At 93-years-old and with a career that spans nearly 60 years, David Attenborough has spent a lifetime transporting audiences from the comfort of their sofas to the dazzling, often bewildering, majesty of the natural world. Read more... |
On the Rocks review - an unlikely detective duoWednesday, 07 October 2020
On the Rocks has an unusual premise. Laura (Rashida Jones), a New York City novelist and mother of two young daughters, suspects her husband Dean (Marlon Wayans) is having an affair with a co-worker, Fiona (Jessica Henwick). Laura confides her fears to Felix (Bill Murray) and they’re soon zipping around Manhattan at night pursuing Dean and Fiona in Felix’s dyspeptic Alfa Romeo. Read more... |
Rialto review - beautifully acted but relentlessSaturday, 03 October 2020
What news on the rialto? Not much of particular buoyancy or light in the Peter Mackie Burns film Rialto, which takes a grimly focused view of a married Irishman's struggle with his same-sex leanings. Read more... |
Eternal Beauty review - imagination in every frameFriday, 02 October 2020
Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well. Read more... |
The Trial Of The Chicago 7 review – blistering docudrama that speaks to our timesThursday, 01 October 2020
Aaron Sorkin’s latest powerhouse drama couldn’t come at a more opportune moment. Read more... |
Miss Juneteenth review - a ray of Texan sunshineFriday, 25 September 2020
Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth opts for a much more nuanced approach, using the pageant as a focal point for a mother and daughter navigating their difficult present and possible future. Read more... |
Monsoon review - like something almost being saidThursday, 24 September 2020
Building very promisingly on the achievement of his debut feature Lilting from six years ago, in Monsoon Hong Khaou has crafted a delicate study of displacement and loss, one that’s all the more memorable for being understated. Read more... |
Enola Holmes review – a new Sherlock-related franchise is afootWednesday, 23 September 2020
It’s no secret that Arthur Conan Doyle’s most famous creation lays claim to more appearances on screen than any other fictional character. Over the past several decades, we’ve seen Sherlock as a pugilist action-hero, a modern-day sleuth, and in a painfully unfunny slapstick guise. Read more... |
Bill & Ted Face the Music review - modestly delightfulSaturday, 19 September 2020
Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their stars’ careers) are too superannuated to revive. Read more... |
Hendrix and the Spook review - a search for clarity in murky watersSaturday, 19 September 2020
September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a documentary exploring the vexed question: was it murder, suicide or a tragic accident? Read more... |
Nocturnal review - an impossible loveFriday, 18 September 2020
The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis) and 17-year-old Laurie (Lauren Coe) gaze across a body of seawater to a miniature chemistry set – a tract of illuminated industrial buildings and smoke-belching cooling towers. Read more... |
Rocks review - impressively well-crafted neo-realist dramaThursday, 17 September 2020
Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the current climate. It really should be experienced in a cinema as the camerawork by Hélène Louvart is stunning and the sound design is excellent. Read more... |
The Devil All The Time review – a test of faith in a Southern Gothic traditionThursday, 17 September 2020
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of good and evil like Jacob at Penuel. Read more... |
Max Richter's Sleep review - refreshing as a good night's restSaturday, 12 September 2020
If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Read more... |
Broken Hearts Gallery review - effortfully entertainingFriday, 11 September 2020
Remember when romcoms didn't try so hard? Read more... |
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