Film Reviews
Les Misérables review - exhilarating French policierMonday, 07 September 2020
The only thing confusing with Les Misérables is its pointedly provocative title, as there are no costumed urchins and no singing involved. Searching online to find the UK cinemas where it’s playing this week entails a trek past the execrable 2012 musical of the same name, but it’s well worth tracking down a screen that's showing this exhilarating and intelligent new fi Read more...
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Mulan review - Niki Caro's live action take on the '98 classic underwhelmsFriday, 04 September 2020
Whilst New Mutants slips surreptitiously into cinemas, Disney’s live-action spin on Mulan arrives with more fanfare on their streaming platform, even if it does come with a price-tag of nearly £20. Read more... |
I'm Thinking of Ending Things review - only disconnectThursday, 03 September 2020
I’m Thinking of Ending Things ends in a giddying gusher of weirdness, the steady drip of earlier oddness finally bursting its narrative banks, till a horror scene becomes a Gene Kelly ballet, and an Oklahoma! tune is sung in bitter valediction by a male lead now resembling elderly Charles Foster Kane. Read more... |
New Mutants review - superheroes and the supernatural collideThursday, 03 September 2020
It hasn’t been an easy ride for Josh Boone’s New Mutants. Delayed production, reshoots, the acquisition of 20th Century Fox by Disney, Covid-19, and accusations of whitewashing, have all contributed to it being dubbed a ‘cursed’ film. Read more... |
Hope Gap review - memories of a marriageSaturday, 29 August 2020
William Nicholson’s Shadowlands screenplay was his most devastating expression of English repression. His second film as director goes to the source, in this fictionalised account of his parents’ divorce, which he waited till they were dead to make. Read more... |
She Dies Tomorrow review - intimations of mortalitySaturday, 29 August 2020
Watching the semi-satirical psychological horror film She’ll Die Tomorrow conjures the last lines of TS Eliot’s "The Hollow Men": “This is the way the world ends/ Not with a bang but a whimper.” Writer-director Amy Seimetz’s second feature doesn’t depict a widescreen apocalypse – it’s a low... Read more... |
Get Duked! review - briefly endearing, then a choreFriday, 28 August 2020
An endearing cast does what it can to keep Get Duked! aloft until writer-director Ninian Doff's movie sinks under the weight of too many wearisome shifts in tone. A coming-of-age film that is alternately silly and sentimental while wanting at times to be scary as well, the result leaves no doubt as to the talents of its gifted young cast. Read more... |
Tenet review - a heady delightWednesday, 26 August 2020
Go back over Christopher Nolan’s films and count the clocks. He has an obsession that would give a horologist a run for his money. Time is a continual motif of his body of work and it finds its zenith in his latest work Tenet. Read more... |
Chemical Hearts review - turn off the soundSaturday, 22 August 2020
Musings on the agonies of adolescent love fall like dead weight in this wearying if well-acted adaptation by writer-director Richard Tanne of the 2016 Young Adult novel Our Chemical Hearts by Krystal Sutherland. 17-year-old Henry Page (Austin Abrams) falls hard for Grace Torn (Lili Reinhart, from TV's Riverdale), the indrawn new transfer student at his New Jersey high school who walks with a cane and speaks of needing her sins erased.... Read more... |
Ava review - Sadaf Foroughi powerhouse drama about teenage rebellionSaturday, 22 August 2020
Canadian-Iranian director Sadaf Foroughi offers up a gut-wrenching tale of adolescent rebellion set against the strictures of an oppressive Middle Eastern society. Read more... |
Random Acts of Violence review - study in horror lacks scaresThursday, 20 August 2020
The debate about whether violent films cause violent acts has been around for decades. Read more... |
Yes, God, Yes review - coming of age, emphasis on comingMonday, 17 August 2020
It’s somewhat dispiriting to watch a coming-of-age rom-com that rarely rises above clichés and limps along as slowly as Yes, God, Yes. Read more... |
My Rembrandt review - hard cash and hubrisSaturday, 15 August 2020
In the gloomy splendour of Drumlanrig Castle in Dumfriesshire, the 10th Duke of Buccleuch gazes up at Rembrandt’s Old Woman Reading, 1655. The painting has belonged to the Scott family for more than 250 years, and like generations before him, the duke has known it all his life. Read more... |
Babyteeth review - teenage love and terminal illness in the Sydney suburbsFriday, 14 August 2020
Babyteeth gets off to a terrific start. A semi-naked, manic Moses (Toby Wallace, full of scabby charisma) almost pushes 15-year-old Milla (Eliza Scanlen; Sharp Objects, Little Women) on to the Sydney train tracks as she waits on the platform in her school uniform, carrying her violin. It’s a thunderclap: she’s smitten. Read more... |
Project Power - so-so attempt to reinvent the superhero genreFriday, 14 August 2020
What if there was a pill you could pop that gave you superpowers? The only catch is that, while it might make you invisible or bullet-proof, it might also boil your brain or make you explode with just one hit. Read more... |
Spree review - a wild ride through social media madnessFriday, 14 August 2020
Allergic to that word “influencer”? Afraid that social media is the death of civilisation as we’ve known it? Then this movie may be for you. Read more... |
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