Owen Richards
Articles By Owen Richards
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...
Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...
Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20th...
Philip Marsden: Under a Metal Sky review - rock and awe
Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....
Blu-ray: High and Low
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...
Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...