tue 04/03/2025

Film Reviews

Berlinale 2020: Berlin Alexanderplatz review - a contemporary twist on a classic

Joseph Walsh

Burhan Qurbani isn’t the first director to bring Alfred Döblin’s seminal 1929 novelBerlin Alexanderplatz, to the screen. First, there was the Weimar Republic era adaptation that Döblin himself worked on. Fifty years later, Rainer Werner Fassbinder brought us his 15-hour television opus.

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Push review – lifting the lid on the housing crisis

Sarah Kent

Italian journalist Roberto Saviano still lives in fear of his life 11 years after writing Gomorrah, which explores how criminal gangs use tax havens to launder money. “You make 100 million euros from trafficking cocaine or migrants,” he explains, “and you buy restaurants, hotels and houses legally, sell them to your offshore company then buy them back at a much higher price.” 

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Berlinale 2020: My Salinger Year review - 70th edition of the festival opens in style

Joseph Walsh

There’s an undeniable romance to mid-Nineties New York. Absent of the chirp of mobile phones, or the swirl of social media, it comes across as a more halcyon age, closer to the Forties than the Noughties.

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Midnight Family review - a thrilling documentary set in Mexico City

Markie Robson-Scott

“It’s cool to see a car crash or a gunshot wound, it’s exciting.” Emergency medical technician Juan Ochoa, 17, loves his work, which is just as well because he doesn’t always get paid.

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Little Joe - trouble in the greenhouse

Graham Fuller

Austrian filmmaker Jessica Hausner’s disquieting fifth feature, and her first English language one, Little Joe is a sci-fi drama that ponders the tangled choices faced by many modern women – Kubrickian though it is in its imma

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The Call of the Wild review - how big-hearted Buck became leader of the pack

Adam Sweeting

Jack London’s original novel was a brutal and Darwinian account of a dog's life in the Klondike during the gold rush at the end of the 19th century.

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Greed review - so-so satire of the über rich

Demetrios Matheou

Steve Coogan’s long partnership with director Michael Winterbottom is probably best known for The Trip and its spin-offs, involving Coogan’s comic culinary excursions alongside Rob Brydon.

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First Love review - Miike delivers thrills and spills

Owen Richards

He's one of Japan's foremost directors, and if you’ve witnessed one of his films before, you know what to expect from a Takashi Miike yakuza film. High-octane, boundary pushing fun from first frame to last. And that’s exactly what First Love is.

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Sonic the Hedgehog review - stuck in first gear

Nick Hasted

An early trailer for this adaptation of the ‘90s games franchise caused Cats­-like horror at its overly humanoid Hedgehog.

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Emma review – lustrous but far from definitive

Demetrios Matheou

The decade is kicking off with the revisiting of old classics. That’s not a bad pursuit, with new audiences in mind, though these days there’s a reasonable expectation of a shot in the arm, a  contemporary spin, a fresh perspective. Greta Gerwig certainly achieved that with Little Women, as did Armando Iannucci with The Personal History of David Copperfield.

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Dolittle review - a star is bored

Nick Hasted

“I knew I shouldn’t have let monkeys read the contract,” Dolittle (Robert Downey Jr.) mutters. The star should have read the script of his first post-Marvel vehicle more closely, too, before taking on the role which previously sank Rex Harrison’s career.

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Mr Jones review - a timely testament to journalism

Owen Richards

While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel compelled to remedy such a legacy.

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Parasite review - a class war with grand designs

Demetrios Matheou

With the Oscars approaching, one film building momentum in the fight for best picture – and whose victory would delight all but the most blinkered – is the Korean Bong Joon Ho’s deliriously dark and entertaining black comedy, Parasite

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Birds of Prey review - the DCU is back on track

Joseph Walsh

Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded, Robbie’s performance remained a highlight. A manic mix of Betty Boop and Fatal Attraction’s Alex Forrest, she stole the film. 

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Plus One review - charm, yes, but irritation too

Matt Wolf

The fast-rising young actor Jack Quaid comes naturally by the ease with which he takes to Plus One, a modern-day inheritor of the sorts of romcoms his mum, Meg Ryan, used to do alongside Tom Hanks.

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A Beautiful Day in the Neighborhood review - an emotionally honest biopic

Graham Fuller

The role of Fred Rogers in A Beautiful Day in the Neighborhood was made for Tom Hanks – and he excels in it.

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