Film Reviews
Fire Will Come review - slow-burning Spanish beautyMonday, 23 March 2020
This lovely, contemplative Cannes prize-winner has something to teach us in testing times. Filmed in director Oliver Laxe’s grandparents’ Galician village, it observes convicted arsonist Amador’s return from jail to the fire-prone landscape he’s blamed for devastating.... Read more... |
The Truth review - a potent Franco-Japanese pairingWednesday, 18 March 2020
It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda. Read more... |
Run review – wheels on fire in ScotlandSaturday, 14 March 2020
Run is the story of disgruntled 36-ish Finnie (Mark Stanley), a big, dour worker in a fish processing plant in the Aberdeenshire port of Fraserburgh – writer-director Scott Graham’s hometown. Read more... |
Calm with Horses review - a stirring debutFriday, 13 March 2020
Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story. Read more... |
Toni Morrison: The Pieces I Am review - a fitting tribute to a masterful storytellerFriday, 13 March 2020
When the Nobel Prize-winning author Toni Morrison died last year, it was a chance to celebrate the remarkable life of a storyteller who shook the literary establishment. Her work, including her debut novel The Bluest Eye, broke radical new ground in depicting African American life. Read more... |
Misbehaviour review - crowd-pleaser tackles Seventies sexismThursday, 12 March 2020
Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests.  Read more... |
And Then We Danced review - glorious Georgian gay coming-of-age taleWednesday, 11 March 2020
The final sequence of Levan Akin’s coming-of-age drama And Then We Danced is as gloriously defiant a piece of dance action as anything you’ll remember falling for in Billy Elliot. Read more... |
Onward review - do you believe in magic?Friday, 06 March 2020
Welcome to New Mushroomton: a fantasy land that’s forgotten itself. This is how we’re introduced to Pixar’s Onward, which is set in a Dungeons & Dragons daydream of suburbia. Director Dan Scanlon’s film is a tribute to his late father, but it begins with a separate elegy. Read more... |
The Photograph review - star-powered romance mostly simmers, sometimes soarsFriday, 06 March 2020
The Photograph, from writer-director Stella Meghie, tells twin tales. The first is all flashback and follows Christine (Chanté Adams, pictured below with Y'lan Noel), a young photographer balancing love and ambition. Read more... |
Military Wives review - the surprising true story of the women who rocked the chartsThursday, 05 March 2020
There’s a lot of plucky British charm to Military Wives, from Peter Cattaneo, the director who won the nation's heart with his debut film The Full Monty over two decades ago. Read more... |
Escape from Pretoria review - fun but facile prison-break dramaWednesday, 04 March 2020
Based on the book by former political prisoner Tim Jenkin, Escape from Pretoria is an intermittently engaging jailbreak tale set in South Africa’s apartheid regime in the 1970s, as well as further evidence of Daniel Radcliffe’s determination to run as far as possible in the opposite direction from his past life as Harry Potter. Its only problem is a troubling case of schizophrenia, since it’s not sure whether to be a pared-down thriller or a political statement. Read more... |
True History of the Kelly Gang review - anarchy in OzMonday, 02 March 2020
“Nothing you’re about to see is true,” this adaptation of Peter Carey’s novel about Australia’s iron-clad Victorian outlaw Ned Kelly declares. Read more... |
Downhill review - American remake wanders off-pisteSaturday, 29 February 2020
It’s hard to believe that Jesse Armstrong (Succession, Veep) co-wrote the screenplay for this feeble American remake of Swedish director Ruben Ostlund’s Force Majeure (2014). Read more... |
Portrait of a Lady on Fire review – love unshackledFriday, 28 February 2020
Portrait of a Lady on Fire is windblown, spare, taut, and sensual – a haunted seaside romantic drama, set in the 18th century, that makes most recent films and series dressed in period costumes seem like party-line effusions of empty style and social conservatism (Gentleman Jack excepted). Read more... |
Berlinale 2020: Never Rarely Sometimes Always review - raw and unflinching abortion drama hits homeFriday, 28 February 2020
Back in 2017, writer-director Eliza Hittman won over audiences with her beautiful coming-of-age drama Beach Rats. Read more... |
Dark Waters review - an ominous drama with plenty of backbone, but not enough fleshFriday, 28 February 2020
Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so toxic that it was literally poisoning us. Read more... |
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