mon 02/06/2025

Florence Hallett

Florence Hallett's picture
Bio
Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent

Read more...

The Courtauld Gallery - the old place, just better

Read more...

Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print

Read more...

The Making of Rodin, Tate Modern review - surrealist tendencies

Read more...

Turner's Modern World, Tate Britain review - the universal artist

Read more...

This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now)

Read more...

Prix Pictet: Confinement review - a year in photographs

Read more...

Artemisia, National Gallery review - worth the wait

Read more...

My Rembrandt review - hard cash and hubris

Read more...

Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance

Read more...

The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light

Read more...

Celia Paul: My Studio, Victoria Miro review - sublime isolation

Read more...

Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure

Read more...

Explore Soane review - the museum restored and in 3D

Read more...

Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more

Read more...

Christo (1935-2020) - 'Beauty, science and art will always triumph'

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...